Hostname: page-component-5c6d5d7d68-tdptf Total loading time: 0 Render date: 2024-08-16T18:10:44.977Z Has data issue: false hasContentIssue false

Musical Movement: Towards a Common Term for Music and Dance

Published online by Cambridge University Press:  06 December 2018

Extract

What is music? In my view, this is the most basic question in all musicologies, be it the so-called systematic and comparative musicology (according to Guido Adler's founding article of 1885), the historical musicology of “Western art music,” ethnomusicology, or other existing as well as possible musicologies, as far as they are oriented towards a generalizable term such as the term “music” is.

Type
Articles
Copyright
Copyright © 2013 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Adler, Guido 1885Umfang, Methode und Ziel der Musikwissenschaft” [Scope, method, and objective of musicology]. Vierteljahresschrift für Musikwissenschaft 1:520.Google Scholar
Antología [Antología del tango rioplatense] 1980 Antología del tango rioplatense. Vol. 1: Desde sus comienzos hasta 1920 [From its beginnings until 1920]. Coordination and general supervision: Jorge Novati; research team: Nestor R. Ceñal, Inés Cuello, Jorge Novati, and Irma Ruiz. Buenos Aires: Secretaría de Estado de Cultura, Instituto Nacional de Musicología “Carlos Vega.”Google Scholar
Amenábar, Joaquín 2009 Tango: Zur Musik tanzen! Tangomusik für Tänzer ohne musikalische Ausbildung. Buenos Aires: [the author], (pub. in Spanish as Tango: Bailemos con la música! La música del tango para bailarines sin formación musical; pub. in English as Tango: Let's Dance to the Music! Tango Music for Dancers without Musical Education; pub. in Italian as Tango: Balliamo la musica! La musica del tango per ballerini senza formazione musicale)Google Scholar
Baily, John 1985Music Structure and Human Movement.” In Musical Structure and Cognition, ed. Howell, Peter, Cross, Ian, and West, Robert, 237–58. London: Academic Press.Google Scholar
Bengtsson, Ingmar 1987Notation, Motion and Perception: Some Aspects of Musical Rhythm.” In Action and Perception in Rhythm and Music, ed. Gabrielsson, Alf, 6980. Stockholm: Royal Swedish Academy of Music.Google Scholar
Blacking, John 1969The Value of Music in Human Experience.” Yearbook of the International Folk Music Council 1:3371.CrossRefGoogle Scholar
Blacking, John 1973 How Musical Is Man? Seattle and London: University of Washington Press.Google Scholar
Blacking, John 1983Movement and Meaning: Dance in Social Anthropological Perspective.” Dance Research 1/1 (Spring): 8999.CrossRefGoogle Scholar
Blom, Jan Petter 2006Making the Music Dance: On Dance Connotations in Norwegian Fiddling.” In Play It Like It Is: Fiddle and Dance Studies from around the North Atlantic, ed. Russell, Ian and Alburger, Mary Anne, 7587. Elphinstone Institute Occasional Publications, 5. Aberdeen: University of Aberdeen.Google Scholar
Broches, Raphael 1938 Die Korrelation von Musik und Bewegung und das Problem der geigerischen Nachgestaltung [The correlation of music and movement and the problem of reshaping in violin playing]. Hamburg: Preilipper.Google Scholar
Bröcker, Marianne 2002 Ed. Berichte aus dem ICTM-Nationalkomitee Deutschland XI: Die Dimension der Bewegung in tradioneller Musik—Freie Berichte [Proceedings of the ICTM German National Committee XI: The dimension of movement in traditional music]. Bamberg: Universitätsbibliothek BambergGoogle Scholar
Cazden, Norman 1945Musical Consonance and Dissonance: A Cultural Criterion.” Journal of Aesthetics and Art Criticism 4:311.CrossRefGoogle Scholar
Dean, Roger T., Byron, Tim, and Bailes, Freya A. 2009 “The Pulse of Symmetry: On the Possible Co-evolution of Rhythm in Music and Dance.” Special issue, Musicae Scientiae: 341–67.CrossRefGoogle Scholar
Dinzel, Rodolfo 1994 El tango: Una dama; Esa ansiosa búsqueda de la libertad [Tango: A dance; That anxious quest for freedom]. Buenos Aires: Ediciones Corregidor.Google Scholar
Einstein, Albert 1950a “Physics and Reality.” In Out of My Later Years, 5997. New York: Philosophical Library. (Orig. pub. “Physik und Realität,” Journal of the Franklin Institute 221 (1936): 313–47; English trans, by Jean Piccard, “Physics and Reality,” Journal of the Franklin Institute 221 (1936): 348–82)Google Scholar
Einstein, Albert 1950b “Time, Space, and Gravitation.” In Out of My Later Years, 54–58. New York: Philosophical Library. (Orig. pub. London Times (28 November 1919))Google Scholar
Einstein, Albert, and Infeld, Leopold 1956 Die Evolution der Physik: Von Newton bis zur Quantentheorie. Hamburg: Rowohlt (Orig. pub. as: The Evolution of Physics: From Early Concept to Relativity and Quanta. Cambridge: Cambridge University Press, 1938).Google Scholar
Eitan, Zohar, and Tubul, Nurit 2010 “Musical Parameters and Children's Images of Motion.” Special issue, Musicae Scientiae: 89111.CrossRefGoogle Scholar
Felföldi, László 1995The Connection of Dance and Dance Music: Over- or Under-Estimation of Their Significance.” In Dance Ritual and Music, ed. Grazyna Dabrowska and Ludwik Bielawski, 189–95. Proceedings of the 18th Symposium of the Study Group on Ethnochoreology, International Council for Traditional Music. Warsaw: Instytut Sztuki PAN. (republished as: “Connections between Dance and Dance Music: Summary of Hungarian Research.” Yearbook for Traditional Music 33 (2001): 159–65.)Google Scholar
Friberg, Anders, Sundberg, Johan, and Frydén, Lars 2000Music from Motion: Sound Level Envelopes of Tones Expressing Human Locomotion.” Journal of New Music Research 29/3: 199210.CrossRefGoogle Scholar
Giurchescu, Anca, and Torp, Lisbet 1995Dance-Music Relationships: An Introduction.” In Dance Ritual and Music, ed. Dabrowska, Grazyna and Bielawski, Ludwik, 143–50. Proceedings of the 18th Symposium of the Study Group on Ethnochoreology, International Council for Traditional Music. Warsaw: Instytut Sztuki PAN.Google Scholar
God⊘y, Rolf Inge, and Leman, Marc 2010 Ed. Musical Gestures: Sound, Movement, and Meaning. New York: Routledge. Gritten, Anthony, and Elaine King 2006 Ed. Music and Gesture. Farnham, Surrey: Ashgate.CrossRefGoogle Scholar
God⊘y, Rolf Inge, and Leman, Marc 2011 Ed. New Perspectives on Music and Gesture. Farnham, Surrey: Ashgate.Google Scholar
Hülse, Edith, Panconcelli-Calzia, Giulio (Edmondo), and Heinitz, Wilhelm 1936Untersuchungen über die Beziehungen zwischen allgemeinen und Phonationsbewegungen” [Studies on the relations between general and phonation movements]. Vox 22:121.Google Scholar
Ingarden, Roman 1931 Das literarische Kunstwerk: Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft. Halle (Saale): M. Niemeyer.Google Scholar
Ingarden, Roman 1933 “Zagadnienie tożsamości dzieła muzycznego.“Przegląd filozoficzny 4:320–62.Google Scholar
Ingarden, Roman 1962 Untersuchungen zur Ontologie der Kunst: Musikwerk–Bild–Architektur–Film Tübingen: Max Niemeyer.CrossRefGoogle Scholar
Ingarden, Roman 1989 Ontology of the Work of the Art: The Musical Work, the Picture, the Architectural Work, the Film. Athens, OH: Ohio University Press.Google Scholar
Kubik, Gerhard 1983Transkription afrikanischer Musik vom Stummfilm” [Transcripton of African music from silent film]. In Musik in Afrika, ed. Simon, Artur, 202–16. Berlin: Museum für Völkerkunde.Google Scholar
Latour, Bruno 2005 Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press.Google Scholar
Leman, Marc 2008 Embodied Music Cognition and Mediation Technology. Cambridge, MA: MIT Press.Google Scholar
Lühe, Barbara von der 1998 Die Musik war unsere Rettung! Die deutschsprachigen Gründungsmitglieder des Palestine Orcestra [Music was our rescue! The German-speaking founding members of the Palestine Orchestra]. Tübingen: Mohr Siebeck.Google Scholar
Nketia, J. H. Kwabena 1974 The Music of Africa. New York: W. W. Norton.Google Scholar
Pelinski, Ramón 2008Astor Piazzolla entre tango y fuga, en busca de una identidad estilística” [Astor Piazzolla between tango and fugue]. In Estudios sobre la obra de Astor Piazzolla, comp. Omar Garcia Brunelli, 35–56. Buenos Aires: Gourmet Musical.Google Scholar
Peper, C. (Lieke) E., Beek, Peter J., and Daffertshofer, Andreas 2000Considerations Regarding a Comprehensive Model of (Poly) rhythmic Movement.” In Rhythm Perception and Production, ed. Desain, Peter and Windsor, Luke, 3749. Lisse, the Netherlands: Swets and Zeitlinger.Google Scholar
Petersen, Peter 2010 Musik und Rhythmus: Grundlagen, Geschichte, Analyse [Music and rhythm: Foundation, history, analysis]. Mainz: Schott.Google Scholar
Pierce, Alexandra 2007 Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation. Bloomington and Indianapolis: Indiana University Press.Google Scholar
Roebers, Thomas, and Leeuwenberg, Floris 2010 Foli (There Is No Movement without Rhythm). Video clip. http://www.youtube.coin/watch?v=lVPLIuBy9CYandfeature=share (added by Thomas Roebers, 25 October 2010; accessed 28 June 2013).Google Scholar
Savigliano, Marta E. 1995 Tango and the Political Economy of Passion. Boulder, CO: Westview Press Schneider, Albrecht, and Rolf Inge God⊘yGoogle Scholar
Savigliano, Marta E. 2001Perspectives and Challenges of Musical Imagery.” In Musical Imagery, ed. God⊘y, Rolf Inge and Jorgensen, Harald, 526. Studies in New Music Research, 5. Lisse, the Netherlands: Swets and Zeitlinger.Google Scholar
Sorce Keller, Marcello 2012Zoomusicology and Ethnomusicology: A Marriage to Celebrate in Heaven.” Yearbook for Traditional Music 44:166–83.Google Scholar
Sundberg, Johan 2000Four Years of Research on Music and Motion.” Journal of New Music Research 29/3: 183–85.Google Scholar
Timmermann, Henry 1940 Ueber den Ursprung der Musik aus der Bewegung [On the origin of music from movement]. Hamburg: Niemann and Moschinski.Google Scholar
Torp, Jörgen 2007 Alte atlantische Tangos: Rhythmische Figurationen im Wandel der Zeiten und Kulturen [Old Atlantic tangos: Rhythmic figurations in changing times and cultures]. Hamburg: LIT.Google Scholar
Torp, Jörgen 2010Tango studieren? Wenn ja, mit welchen Methoden?” [Doing research on tango? If so, what are the methods?]. In Concepts, Experiments, and Fieldwork: Studies in Systematic Musicology and Ethnomusicology, ed. Bader, Rolf, Neuhaus, Christiane, and Morgenstern, Ulrich, 391401. Frankfurt: Peter Lang.Google Scholar
Truslit, Alexander 1938 Gestaltung und Bewegung in der Musik: Ein tönendes Buch vom musikalischen Vortrag und seinem bewegungserlebten Gestalten und Hören [Gestalt and movement in music: A sounding book on musical performance and its movement-experienced shaping and hearing]. Berlin: Vieweg.CrossRefGoogle Scholar
Wiesendanger, M. 2000Motorische Systeme.” In Physiologie des Menschen, ed. Schmidt, Robert F., Thews, Gerhard, and Lang, Florian, 91127. 28th ed. Berlin: Springer.CrossRefGoogle Scholar