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The Four Musical Types of Buddhist Chant in Korea

Published online by Cambridge University Press:  07 March 2019

Extract

Buddhist chant, pŏmp'ae, 梵唄 is one of the three great vocal genres of Korean music, the others being kagok (classical song) and p'ansori (dramatic, narrative song). Normally, it is sung only at Buddhist temples during the performance of established rites.

Abstract

Abstract

Type
Articles
Copyright
Copyright © 1983 by the International Council for Traditional Music

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References

Notes

1. Hye-ku, Lee 1957: “Buddhist Chants in Silla Dynasty,” Studies in Korean Music (Seoul: Kukmin ŭmak yŏnguhoe), pp. 251291.Google Scholar

2. Man-young, Hahn 1967: “Melodic Patterns in Hossori in Buddhist Chant of Korea,” Journal of the Korean Buddhist Research Institute, No. 5 (Seoul: Dongguk University), pp. 215237.Google Scholar

3. 1969 : “Chissori and Hossori in Buddhist Chant of Korea,” Essays in Ethnomusicology: A Birthday Offering for Dr. Lee Hye-ku (Seoul: Korean Musicological Society), pp. 267290.Google Scholar

4. 1971 : “Hŏdŏlpum. an interlude and prelude in Chissori,” Journal of the Korean Musicological Society (Korean Musicological Society) Vol. 1, pp. 4862.Google Scholar

5. 1975 : “The Restoration of Tongŭmjip—based on the Printed Book of Pak Unwol—,” Journal of the Korean Musicological Society vol. 5 (Seoul: Korean Musicological Society).Google Scholar

6. 1977 : “Hwach'ŏng and Kosa-yŏmbul, a Buddhist and a Shamanistic narrative songs,” Articles on Asian Music: Festschrift for Dr. Chang Sa-hun (Seoul: Korean Musicological Society), pp. 189230.Google Scholar

7. 1970 : “Introduction to Buddhist Chant of Korea.” Sukŭm vol. 4 (Seoul: College of music, Sukmyong Woman's University), pp. 3038.Google Scholar

8. Moon Il-ji 1970 : “Study on the Butterfly Dance,” Master's Thesis (Seoul National University).Google Scholar