Hostname: page-component-84b7d79bbc-dwq4g Total loading time: 0 Render date: 2024-07-29T01:48:59.300Z Has data issue: false hasContentIssue false
  • English
  • Français

Syriac Chant at the Negotiation of Source and Method in the Two Music–“Ologies”

Published online by Cambridge University Press:  06 December 2018

Tala Jarjour
Get access Rights & Permissions [Opens in a new window]

Extract

As a monophonic song type originating in early Aramaic Christianity, chant in the Syriac-speaking church has long fascinated music scholars. This continuously practised Levantine tradition is little understood, despite the increasingly global presence of Suryanis who strive to maintain their liturgical tradition at home and in the diaspora. Owing to multiple waves of migration, Aramaic Christians are increasingly present in Europe and the Americas. The historical home of this autochthonous population remains, however, Mesopotamia and the Eastern Mediterranean, although in steady and rapid decline. The current severity of the decline of these local communities is unprecedented in modem history due to the violent expansion of military–religious extremism under the guise of the Islamic State (IS), which has expelled Christians from large swaths of Iraq and Syria since June 2014. The long-term effects of such adverse circumstances remain unclear, but developments since 2003 have spurred attention to the cultures and musics of East Christian communities, necessitating a reassessment of the relationship between scholarship and these musical traditions.

Abstract in arabic

Abstract in Arabic

Type
Articles
Information
Yearbook for Traditional Music , Volume 47 , 2015 , pp. 45 - 63
Copyright
Copyright © 2015 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References cited

Atto, Naures 2011 Hostages in the Homeland Orphans in the Diaspora: Identity Discourses among the Assyrian/Syriac Elites in the European Diaspora. Leiden: Leiden University Press.Google Scholar
Beckles Willson, Rachel 2013 Orientalism and Musical Mission, Palestine and the West. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Blum, Stephen, Bohlman, Philip V., and Neuman, Daniel M. 1993 Ed. Ethnomusicology and Modern Music History. Urbana, IL: University of Illinois Press.Google Scholar
Bohlman, Philip V. 1987 “R. G. Kiesewetter's Die Musik der Araber: A Pioneering Ethnomusicological Study of Arabic Writings on Music.” Asian Music 18/1: 164–96.Google Scholar
Bohlman, Philip V. 1993 “Musicology as a Political Act.” Journal of Musicology 11:411–36.CrossRefGoogle Scholar
Bohlman, Philip V. 2003 “Music and Culture: Historiographies of Disjuncture.” In The Cultural Study of Music, ed. Clayton, Martin, Stobart, Henry, and Middleton, Richard, 45–45. New York, NY: Routledge.Google Scholar
Born, Georgina 2007 “For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn.” Journal of the Royal Musical Association 135/2: 205–43.Google Scholar
Born, Georgina and Hesmondhalgh, David 2000 Western Music and Its Others: Difference, Representation and Appropriation in Music. Berkeley, CA: University of California Press.Google Scholar
Cetrez, Önver, Donabed, Sargon, and Makko, Aryo 2012 Ed. The Assyrian Heritage, Threads of Continuity and Influence. Uppsala: Uppsala Universitet.Google Scholar
Christensen, Thomas 1996 “Fétis and Emerging Tonal Consciousness.” In Music Theory in the Age of Romanticism, ed. Bent, Ian, 37–56. Cambridge: Cambridge University Press.Google Scholar
Clarke, David 2014 “On Not Losing Heart: A Response to Savage and Brown's ‘Toward a New Comparative Musicology.’” Analytical Approaches to World Music 3/2: 1–14.Google Scholar
Cook, Nicholas 2004 “One Size Fits All? Musicology, Performance, and Globalization.” In Musicology and Globalization: Proceedings of the International Congress in Shizuoka 2002, ed. Tozawa, Yoshio and Gakkai, Nihon Ongaku, 13–22. Tokyo: Musicological Society of Japan.Google Scholar
Cook, Nicholas 2008 “We Are All (Ethno)Musicologists Now.” In The New (Ethno) Musicologies, ed. Stobart, Henry, 48–70. Plymouth, MA: The Scarecrow Press.Google Scholar
Cook, Nicholas 2012 “Anatomy of the Encounter: Intercultural Analysis as Relational Musicology.” In Critical Musicological Reflections: Essays in Honour of Derek B. Scott, ed. Hawkins, Stan, 193–208. Burlington, VT: Ashgate.Google Scholar
Cook, Nicholas and Everist, Mark 1999 Rethinking Music. New York: Oxford University Press.Google Scholar
Christensen, Thomas 1996 “Fétis and Emerging Tonal Consciousness.” In Music Theory in the Age of Romanticism, ed. Bent, Ian, 37–56. Cambridge: Cambridge University Press.Google Scholar
Duckles, Vincent, Pasler, Jann, Stanley, Glenn, Christensen, Thomas, Haggh, Barbara H., Balchin, Robert, Libin, Laurence, Seebass, Tilman, Page, Janet K., Goehr, Lydia, McClary, Susan, Gribenski, Jean, Gianturco, Carolyn, Potter, Pamela M., Fallows, David, Velimirović, Miloš, Tomlinson, Gary, Béhague, Gerard, Kanazawa, Masakata, and Platt, Peter 2012 “Musicology.” Grove Music Online. Oxford Music Online. Oxford University Press, http://www.oxfordmusiconline.conVsubscriber/article/grove/music/46710pg3 (accessed 6 May 2014).Google Scholar
Husmann, Heinrich 1969–71 Die Melodien der Jacobitischen Kirche. 2 vols. Vienna: Kommissionsverlag der Österreichischen Akademie der Wissenschaften.Google Scholar
Ibrahim, Ghrighorios Youhanna 2003 Al-Musiqa Al-Suryaniya. Halab: Dar Mardin.Google Scholar
Jarjour, Tala 2002 “Eight Kanons in Syriac from the Town of Sadad: A Study in Liturgical and Musical Content and Style.” Master's thesis, Ohio University.Google Scholar
Jarjour, Tala 2006 “Syriac Chant in Sadad: A Narrative of Survival.” In Von Schlachthymnen und Protestsongs: Zur Kulturgeschichte des Verhältnisses von Musik und Krieg, ed. Firme, Annemarie and Hocker, Ramona, 265–279. Bielefeld: Transcript verlag.Google Scholar
Jarjour, Tala 2015 “Ḥasho: Music Modality and the Economy of Emotional Aesthetics.” Ethnomusicology Forum 24/1: 51–72.CrossRefGoogle Scholar
in press “Chant as the Articulation of Christian Aramaean Spirithood.” In The Oxford Handbook of Music and World Christianities, ed. Reily, Suzel and Dueck, Jonathan. New York: Oxford University Press.Google Scholar
Jeannin, Jules Cécilien 1925 Mélodies Liturgiques Syriennes et Chaldéennes. Vols. 1–2. Paris: Leroux.Google Scholar
Kuckertz, Joseph 1969 “Die Melodietypen der Westsyrischen Liturgischen Gesänge.” Kirchenmusicalishes Jahrbuch 53:61–93.Google Scholar
Kunst, Jaap 1955 Ethnomusicology. The Hague: Martinus Nijhoff.Google Scholar
Locke, David 2014 “Let it be Called ‘Comparative Ethnomusicology.’” Analytical Approaches to World Music 3/2: 22–23.Google Scholar
Locke, Ralph P. 2005 “Beyond the Exotic: How “Eastern” is Aida?” Cambridge Opera Journal 17/2: 105–39.Google Scholar
McCollum, Jonathan and Herbert, David 2014 Ed. Theory and Method in Historical Ethnomusicology. Lanham, MD: Lexington Books.Google Scholar
Mongrédien, Jean and Ellis, Katharine 2012 “Villoteau, Guillaume André.” Grove Music Online. Oxford Music Online. Oxford University Press. http://www.oxfordmusiconline.com.proxy.library.nd.edu/subscriber/article/grove/music/29399 (accessed 15 July 2015).Google Scholar
Pasler, Jann 2000 “Race, Orientalism, and Distinction in the Wake of the ‘Yellow Peri1.’” In Western Music and its Others: Difference, Representation and Appropriation in Music, ed. Born, Georgina and Hesmondhalgh, David, 86–118. Berkeley, CA: University of California Press.Google Scholar
Savage, Patrick E. and Brown, Steven 2013 “Toward a New Comparative Musicology.” Analytical Approaches to World Music 2/2: 148–97.Google Scholar
Shahîd, Irfan 1995 Byzantium and the Arabs in the Sixth Century. 2 vols. Washington, DC: Dumbarton Oaks.Google Scholar
Said, Edward 2003 Orientalism. London: Penguin Classics. (Orig. pub. 1978).Google Scholar
Smith, J. Payne 1999 Ed. A Compendious Syriac Dictionary Founded upon the Thesaurus Syriacus of R. Payne Smith, D. D. Eugene, OR: Wipf and Stock.Google Scholar
Stobart, Henry 2008 Ed. The New (Ethno)Musicologies. Plymouth, MA: The Scarecrow Press.Google Scholar
Stokes, Martin 2008 “Afterword.” In The New (Ethno)Musicologies, ed. Stobart, Henry, 207–15. Plymouth, MA: The Scarecrow Press.Google Scholar
Tomlinson, Gary 1999 “Vico's Songs: Detours at the Origins of (Ethno) Musicology.” The Musical Quarterly 83/3: 344–77.Google Scholar
Tomlinson, Gary 2003 “Musicology, Anthropology, History.” In The Cultural Study of Music, ed. Clayton, Martin, Herbert, Trevor, and Middleton, Richard, 31–44. London: Routledge.Google Scholar
Villoteau, Guillaume André 1826 Description de l'Égypte, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée Française. Tome Quatorzième: État moderne. Paris: Imprimerie de C. L. F. Panckoucke.Google Scholar
Young, Robert J. C. 2004 White Mythologies: Writing History and the West. London: Routledge.CrossRefGoogle Scholar