Hostname: page-component-84b7d79bbc-c654p Total loading time: 0 Render date: 2024-07-29T01:35:18.395Z Has data issue: false hasContentIssue false
  • English
  • Français

Dancing in Place: Mythopoetics and the Production of History in Kuchipudi

Published online by Cambridge University Press:  06 December 2018

Rumya S. Putcha
Get access Rights & Permissions [Opens in a new window]

Extract

In the twenty-first century, the term “kuchipudi” refers to a style of dance, a South Indian classical genre which, to the untrained eye, is indistinguishable from its better-known cousin, bharatanatyam. After India achieved Independence from the British in 1947, kuchipudi came to be known as a dance style synonymous with the Telugu-speaking state of Andhra Pradesh. Kuchipudi's metonymic status reveals a broader logic of linguistic, geographically grounded identitarianism; indeed, the dance known today as kuchipudi is said to hail from a physical place called Kuchipudi, an otherwise nondescript fanning village located about fifty kilometres southeast of Vijayawadain central Andhra Pradesh (see figure 1).

Abstract in telugu

Abstract in Telugu

Type
Articles
Information
Yearbook for Traditional Music , Volume 47 , 2015 , pp. 1 - 26
Copyright
Copyright © 2015 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References cited

Allen, Matthew 1997 “Rewriting the Script for South Indian Dance.” TDR 41/3: 63–100.CrossRefGoogle Scholar
Appa Rao, Vissa 1955 “Kuchipudi.” In Indian Dance, 16–19. New Delhi: The Publications Division, Ministry of Information and Broadcasting, Government of India.Google Scholar
Arondekar, Anjali 2009 For the Record: On Sexuality and the Colonial Archive in India. Durham, NC: Duke University Press.Google Scholar
Arudra, 1994 “Lingering Questions and Some Fashionable Fallacies.” Sruti 68:29–31.Google Scholar
Babiracki, Carol 2008 “Between Life History and Performance: Sundari Devi and the Art of Allusion.” Ethnomusicology 52/1: 1–30.Google Scholar
Bakhle, Janaki 2005 Two Men and Music: Nationalism in the Making of an Indian Classical Tradition. New York: Oxford University Press.CrossRefGoogle Scholar
Banerji, Anurima 2010 “Odissi Dance: Paratopic Performances of Gender, State, and Nation.” PhD dissertation, New York University.Google Scholar
Bryant, Christa Case 2011 “Surging Middle Classes Eclipsing Global Poverty.” Christian Science Monitor. http://www.csmonitor.com/World/2011/0517/Surging-BRIC-middle-classes-areeclipsing-global-poverty (accessed 20 June 2015).Google Scholar
Chakravorty, Pallabi 2008 Bells of Change: Kathak Dance, Women, and Modernity in India. Kolkata: Seagull Books.Google Scholar
Chakravorty, Pallabi and Gupta, Nilanjana 2010 Ed. Dance Matters: Performing India. New Delhi: Routledge.Google Scholar
Coorlawala, Uttara Asha 1992 “Ruth St. Denis and India's Dance Renaissance.” Dance Chronicle 15/2: 123–52.Google Scholar
Crenshaw, Kimberle 1991 “Mapping the Margins: Intersectionality, Identity Politics and Violence against Women of Color.” Stanford Law Review 43/6: 1241–99.Google Scholar
Edensor, Tim 1998 Tourists at the Taj: Performance and Meaning at a Symbolic Site. New York: Routledge.Google Scholar
Erdmann, Joan 1987 “Performance as Translation: Uday Shankar in the West.” TDR 31/1: 64–88.Google Scholar
Frankfort, Henri, Franfort, H.A., Wilson, John A., Jacobsen, Thorkild, and Irwin, William A. 1977 The Intellectual Adventure of Ancient Man: An Essay on Speculative Thought in the Ancient Near East. Chicago: University of Chicago Press. (Orig. pub. 1946).CrossRefGoogle Scholar
Gaston, Anne-Marie 1996 Bharata Natyam: From Temple to Theatre. New Delhi: Manohar.Google Scholar
Hancock, Mary 2008 The Politics of Heritage from Madras to Chennai. Bloomington, IN: Indiana University Press.Google Scholar
Hanna, Judith Lynne 2010 “Dance and Sexuality: Many Moves.” Journal of Sex Research 47/2–3:212–41.Google Scholar
Henderson, Carol E. and Weisgrau, Maxine 2007 Raj Rhapsodies: Tourism, Heritage and the Seduction of History. Burlington, VT: Ashgate.Google Scholar
Herzfeld, Michael 1997 Cultural Intimacy: Social Poetics in the Nation-State. New York: Routledge.Google Scholar
Incredible !ndia Campaign 2015 “Campaign 2002/03” Incredible !ndia Campaign. http://incredibleindiacampaign.com (accessed 20 June 2015).Google Scholar
Jonnalagadda, Anuradha 1996 “Traditions and Innovations in Kuchipudi Dance.” PhD dissertation, University of Hyderabad.Google Scholar
Jyoti, Pujita Krishna 2010 “Revival of Vilasini Natyam at the Ranganathaswamy Temple, Hyderabad.” Master's thesis, University of California, Irvine.Google Scholar
Khokar, Mohan. 1984 His Dance, His Life: A Portrait of Uday Shankar. New Delhi: Himalayan Books.Google Scholar
Knight, Douglas 2010 Balasaraswati: Her Art and Life. Middletown, CT: Wesleyan University Press.Google Scholar
Kothari, Sunil 2001 Kuchipudi: Indian Classical Dance Art. New Delhi: Abhinav Publications.Google Scholar
Latour, Bruno 1997 “A Few Steps Towards an Anthropology of the Iconoclastic Gesture.” Science in Context 10/1: 63–83.CrossRefGoogle Scholar
Maciszewski, Amelia 1998 “Gendered Stories, Gendered Styles: Contemporary Hindusthani Music as Discourse, Attitudes and Practice.” PhD dissertation, University of Texas at Austin.Google Scholar
Maciszewski, Amelia 2006 “Tawa'if, Tourism and Tales: The Problematics of Twenty-First-Century Musical Patronage for North India's Courtesans.” In The Courtesan's Arts: Cross-Cultural Perspectives, ed. Feldman, Martha and Gordon, Bonnie, 332–51. New York: Oxford University Press.Google Scholar
Maciszewski, Amelia 2007 “Texts, Tunes and Talking Heads: Discourses about Socially Marginal North Indian Musicians.” Twentieth Century Music 3/1: 121–44.Google Scholar
Mansingh, Sonal 2007 Classical Dances. New Delhi: Wisdom Tree.Google Scholar
Meduri, Avanthi 1988 “Bharatha Natyam—What Are You?” Asian Theatre Journal 5/1: 1–22.CrossRefGoogle Scholar
Meduri, Avanthi 1996 “Nation, Woman, Representation: The Sutured History of the Devadasi and Her Dance.” PhD dissertation, New York University.Google Scholar
Mohanty, Chandra Talpade 2003 Feminism without Borders: Decolonizing Theory, Practicing Solidarity. Durham, NC: Duke University Press.Google Scholar
Morcom, Anna 2013 Illicit Worlds of Indian Dance: Cultures of Exclusion. New York: Oxford.CrossRefGoogle Scholar
Narayan, Kirin 1993 “How Native is a ‘Native’ Anthropologist?” American Anthropologist 95/3: 671–86.Google Scholar
Narayan, Kirin 2005 “Rukmini Devi: Rethinking the Classical.” In Rukmini Devi Arundale: A Visionary Architect of Indian Culture and the Performing Arts, ed. Meduri, Avanthi, 225–45. New Delhi: Motilal Banarsidass.Google Scholar
Narayan, Kirin 2006 “Dancing through History and Ethnography: Indian Classical Dance the Performance of the Past.” In Dancing from Past to Present: Nation, Culture, Identities, ed. Buckland, Theresa Jill, 123–52. Madison, WI: University of Wisconsin Press.Google Scholar
Narayan, Kirin 2007 At Home in the World. Middletown, CT: Wesleyan University Press.Google Scholar
Patil, Vrushali 2011 “Reproducing-Resisting Race and Gender Difference: Examining India's Online Tourism Campaign from a Transnational Feminist Perspective.” Signs 37/1: 185–210.CrossRefGoogle Scholar
Peterson, Indira and Soneji, Davesh 2008 Ed. Performing Pasts: Reinventing the Arts in Modern South India. New Delhi: Oxford University Press.Google Scholar
Sreeramulu, Potti Telugu University 2015 “About Us.” Potti Sreeramulu Telugu University. http://teluguuniversity.ac.in/about-us/ (accessed 20 June 2015).Google Scholar
Putcha, Rumya S. 2013 “Between History and Historiography: The Origins of Classical Kuchipudi Dance.” Dance Research Journal 45/3: 1–20.Google Scholar
Qureshi, Regula Burckhardt 2001 “In Search of Begum Akhtar: Patriarchy, Poetry, and Twentieth-Century Indian Music.” World of Music 43/1: 97–137.Google Scholar
Ramakrishna, Nataraja 1987 Andhra Natyam-Kuchupudi Natyam. Hyderabad: Sri Tirumala Printers.Google Scholar
Raman, Pattabhi and Ramachandran, Anandhi 1984 “The Whole World in Her Hands.” Sruti 5:16–31.Google Scholar
Rudisill, Kristen Dawn 2007 “Brahmin Humor: Chennai's Sabha Theatre and the Creation of Middle-Class Indian Taste from the 1950s to the Present.” PhD dissertation, University of Texas at Austin.Google Scholar
Sachdeva, Shweta 2008 “In Search of the Tawa'if in History: Courtesans, Nautch Girls and Celebrity Entertainers in India (1720s–1920s).” PhD dissertation, SOAS, University of London.Google Scholar
Akademi, Sangeet Natak 2015 “Guidelines for Sangeet Natak Akademi Ratna and Akademi Puruskar” Sangeet Natak Akademi http://www.sangeetnatak.gov.in/sna/guide-snaawards.htm (accessed 21 June 2015).Google Scholar
Sarma, Modali Nagabhusan 2002 “Vedantam Laxminarayana Sastry: His Life, Times and Achievements.” Nartanam 2/2: 7–27.Google Scholar
Sastry, Josyula Seetarama 2002 “Tours and Travails: Days with My Guru.” Nartanam 2/2: 42–47.Google Scholar
Satyam, Vempati Chinna 2002 “My Guru, My Mentor.” Nartanam 2/2: 28–32.Google Scholar
Soneji, Davesh 2004 “Performing Satyabhama: Text, Context, Memory and Mimesis in Telugu-Speaking South India.” PhD dissertation, McGill University.Google Scholar
Soneji, Davesh 2010 Bharatanatyam: A Reader. New Delhi: Oxford University Press.Google Scholar
Soneji, Davesh 2012 Unfinished Gestures: Devadasis, Memory, and Modernity in South India. Chicago: University of Chicago Press.Google Scholar
Sikand, Nandini 2010 “Dancing with Tradition: A Global Community of Odissi Dancers.” PhD dissertation, City University of New York.Google Scholar
Srinivasan, Amrit 1984 “Temple ‘Prostitution’ and Community Reform: An Examination of the Ethnographic, Historical and Textual Context of the Devadasi of Tamil Nadu, South India.” PhD dissertation, Cambridge University.Google Scholar
Srinivasan, Amrit 1985 “Reform and Revival: The Devadasi and Her Dance.” Economic and Political Weekly 20/44: 1869–76.Google Scholar
Subramanian, Lakshmi 2006 From the Tanjore Court to the Madras Music Academy: A Social History of Music in South India. 2nd ed. New Delhi: Oxford University Press.Google Scholar
Swarr, Amanda Lock and Nagar, Richa 2010 Ed. Critical Transnational Feminist Praxis. Albany, NY: SUNY Press.Google Scholar
Taylor, Diana 2003 The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press.Google Scholar
Trouillot, Michel-Rolph 1995 Silencing the Past: Power and the Production of History. Boston: Beacon Press.Google Scholar
Walker, Margaret 2004 “Kathak Dance: A Critical History.” PhD dissertation, University of Toronto.Google Scholar
Walker, Margaret 2014 Kathak Dance in Historical Perspective. Burlington, VT: Ashgate.Google Scholar
Weidman, Amanda 2006 Singing the Classical, Voicing the Modern: The Postcolonial Politics of Music in South India. Durham, NC: Duke University Press.Google Scholar