Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 4
Theatre Audiences, Redux
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- Published online by Cambridge University Press:
- 12 September 2006, pp. 225-230
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- Cited by 4
Love à la Mode and Macklin's Return to the London Stage in 1759
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- 07 July 2009, pp. 1-22
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- Cited by 4
Become Less Provincial
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- Published online by Cambridge University Press:
- 01 November 2004, pp. 177-180
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- Cited by 4
Stanislavski's Books: an Untold Story
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- 21 October 2010, pp. 155-165
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- Cited by 4
The Awnings of Roman Theatres and Amphitheatres
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- 21 October 2010, pp. 75-88
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- Cited by 4
Resisting Dispossession: Performative Spatial Irruptions and the LA Poverty Department
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- 27 January 2020, pp. 52-74
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- Cited by 4
The Théâtre du Marais in 1644: A New Look at the Old Evidence Concerning France's Second Public Theatre
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- 24 September 2009, pp. 127-152
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“Great Cato's Descendants”: A Genealogy of Colonial Performance
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- 08 August 2003, pp. 5-28
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- Cited by 4
“Maiden's Armor”: Global Gothic Lolita Fashion Communities and Technologies of Girly Counteridentity
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- 21 December 2018, pp. 122-146
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- Cited by 4
Black Rage: On Cultivating Black National Belonging
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- 10 August 2016, pp. 336-357
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- Cited by 3
A Survey of Early Military Theatre in America
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- 07 July 2009, pp. 56-64
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- Cited by 3
B.F. Keith and the Origins of American Vaudeville
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- 21 October 2010, pp. 105-115
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- Cited by 3
Recasting Race: Casting Practices and Racial Formations
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- 07 July 2009, pp. 1-22
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- Cited by 3
Living History Museums and the Construction of the Real through Performance
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- 01 May 2004, pp. 61-74
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- Cited by 3
SOUTH ASIAN AMERICAN THEATRE: (UN/RE-)PAINTING THE TOWN BROWN
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- 09 May 2008, pp. 109-117
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- Cited by 3
Between Text and Cultural Performance: Staging Greek Tragedies in Germany
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- 07 July 2009, pp. 1-29
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- Cited by 3
Performing Ophelia: The Iconography of Madness
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- 15 November 2002, pp. 201-221
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- Cited by 3
Performance and Politics in Process: Practices of Representation in South African Theatre1
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- 07 July 2009, pp. 188-210
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- Cited by 3
“A True Jewish Jew:” Three Yiddish Shylocks
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- 07 July 2009, pp. 75-98
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- Cited by 3
Falstaff, Quin, and the Popularity of the Merry Wives of Windsor in the Eighteenth Century
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- 07 July 2009, pp. 55-66
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