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Unmaking Mimesis: Essays on Feminism and Theatre. By Elin Diamond. Abingdon: Routledge, 1997. Pp. xvi + 226. £96 Hb; £27.99 Pb.
Published online by Cambridge University Press: 01 November 2021
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1 Shetsova, Maria, ‘Unmaking Mimesis. By Elin Diamond’, Theatre Research International, 23, 1 (Spring 1998), p. 193Google Scholar.
2 Aston, Elaine, Feminist Theatre Practice: A Handbook (Abingdon: Routledge, 1999), p. 13Google Scholar.
3 Solga, Kim, ‘Blasted's Hysteria: Rape, Realism, and the Thresholds of the Visible’, Modern Drama, 50, 3 (Fall 2007), pp. 346–74Google Scholar, here p. 357.
4 Muñoz, José Esteban, Disidentifications: Queers of Color and the Performance of Politics (Minneapolis: Minnesota University Press, 1999), p. 18Google Scholar.
5 Ibid., p. 15.
6 The books I am referring to are Edelman, Lee, No Future: Queer Theory and the Death Drive (Durham, NC: Duke University Press, 2004)Google Scholar; Dinshaw, Carolyn, Getting Medieval: Sexualities and Communities, Pre- and Postmodern (Durham, NC: Duke University Press, 1999)CrossRefGoogle Scholar; and Love, Heather, Feeling Backwards: Loss and the Politics of Queer History (Cambridge, MA: Harvard University Press, 2009)CrossRefGoogle Scholar.