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Unmaking Mimesis: Essays on Feminism and Theatre. By Elin Diamond. Abingdon: Routledge, 1997. Pp. xvi + 226. £96 Hb; £27.99 Pb.

Published online by Cambridge University Press:  01 November 2021

Caoimhe Mader McGuinness
Caoimhe Mader McGuinness*
Affiliation:
Kingston University London, c.madermcguinness@kingston.ac.uk
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Type
Double Take
Information
Theatre Research International , Volume 46 , Issue 3 , October 2021 , pp. 407 - 410
Copyright
Copyright © International Federation for Theatre Research 2021

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References

Notes

1 Shetsova, Maria, ‘Unmaking Mimesis. By Elin Diamond’, Theatre Research International, 23, 1 (Spring 1998), p. 193Google Scholar.

2 Aston, Elaine, Feminist Theatre Practice: A Handbook (Abingdon: Routledge, 1999), p. 13Google Scholar.

3 Solga, Kim, ‘Blasted's Hysteria: Rape, Realism, and the Thresholds of the Visible’, Modern Drama, 50, 3 (Fall 2007), pp. 346–74Google Scholar, here p. 357.

4 Muñoz, José Esteban, Disidentifications: Queers of Color and the Performance of Politics (Minneapolis: Minnesota University Press, 1999), p. 18Google Scholar.

5 Ibid., p. 15.

6 The books I am referring to are Edelman, Lee, No Future: Queer Theory and the Death Drive (Durham, NC: Duke University Press, 2004)Google Scholar; Dinshaw, Carolyn, Getting Medieval: Sexualities and Communities, Pre- and Postmodern (Durham, NC: Duke University Press, 1999)CrossRefGoogle Scholar; and Love, Heather, Feeling Backwards: Loss and the Politics of Queer History (Cambridge, MA: Harvard University Press, 2009)CrossRefGoogle Scholar.