Hostname: page-component-84b7d79bbc-7nlkj Total loading time: 0 Render date: 2024-07-30T00:47:55.816Z Has data issue: false hasContentIssue false
  • English
  • Français

Emandulo: Process and Performance in a Changing South Africa

Published online by Cambridge University Press:  23 January 2009

Thomas Riccio
Thomas Riccio
Affiliation:
Thomas Riccio lectures at the University of Alaska-Fairbanks. He has been working for many years on performance projects with indigenous people: with Inuits in Greenland, with Tamils in Sri Lanka, with Sakha in Siberia, with San (Bushmen) in Namibia…
Get access Rights & Permissions [Opens in a new window]

Extract

In the spring of 1992 the Natal Performing Arts Council (NAPAC) in Durban, South Africa, invited me to develop a performance based on Zulu traditions with their recently formed Kwasa Group and their long established Loft Theatre. ‘Kwasa’, Zulu for ‘it dawns’, was NAPAC's attempts to address the changing needs of South Africa. Two weeks after white South Africa voted in favour of a nationwide referendum to allow non-whites the ability to vote I began rehearsals for Emandulo.’

Type
Articles
Information
Theatre Research International , Volume 19 , Issue 3 , Autumn 1994 , pp. 238 - 261
Copyright
Copyright © International Federation for Theatre Research 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Berglund, Axel-Ivar, Zulu Thought Patterns and Symbolism, Hurst & Co, London, 1976Google Scholar
Broughton, Tania, ‘NAPAC gets R4m “Lifeline” Grant from Council’, Durban Daily News 10 May 1992Google Scholar
Bryant, A.T., The Zulu People, Shuter & Shooter, Pietermaritzburg, S.A., 1949Google Scholar
Coan, Stephen, ‘Drama Worthy of the World Stage’, The Natal Witness, 5 June 1992Google Scholar
Mutwa, Credo Vusa'mazulu, My People, my Africa, John Day Co, NYC, 1969Google Scholar
Ngubane, Harriet, Body and Mind in Zulu Medicine, Academic Press, London, 1977Google Scholar
Pratt, Ray, Rhythm and Resistance: Explorations in the Political Uses of Popular Music, Praeger, NYC, 1990Google Scholar
Savory, Phyllis, Zulu Fireside Tales, Hastings House, NYC, 1979Google Scholar
Tyler, Humphrey, ‘Alaskan Visitor Director Zulu Folk Tale’, Durban Sunday Tribune, 24 May 1992Google Scholar