The importance of regional theatre in the grand scheme of theatre history has long been neglected; this even holds true for an area of research which has aroused more historical interest than any other – Nazi Germany. Addressing this desideratum the article investigates the history of a typical provincial theatre – the Städtische Bühnen in the Westphalian city of Münster – with a special emphasis on the repertoire. The author examines how far the regime was able to implement its demand for a specifically political theatre and relates his findings to other German playhouses. The article argues that the failure of the Nazi administration to turn the Münster playhouse into a propaganda stage does not mean that regional theatres did not fulfil their role for the regime. They did so in other, less obvious ways.