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Fascism, Reality, Shit, and the German Stage

Published online by Cambridge University Press:  01 June 2023

Andrew Friedman
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Abstract

The controversial performances of Jonathan Meese and the duo Vegard Vinge and Ida Müller uncouple the presumed alliance between fascist politics and aesthetics. Provocatively repurposing fascist iconography and thought, Meese and Vinge/Müller defend art’s autonomy against the contamination of reality and reimagine how contemporary artists grapple with Germany’s past.

Type
Special Issue on Contemporary German Theatre
Information
TDR , Volume 67 , Special Issue 2: Contemporary German Theatre , June 2023 , pp. 48 - 64
Copyright
© The Author(s), 2023. Published by Cambridge University Press for Tisch School of the Arts/NYU

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References

References

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