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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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TOPICS, DOUBLE CODING AND FORM FUNCTIONALITY IN THOMAS ADÈS'S PIANO QUINTET
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- 01 October 2021, pp. 41-51
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FROM THE OTHER SIDE: FEMINIST AESTHETICS IN AUSTRALIAN MUSICOLOGY
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- 06 March 2020, pp. 21-29
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ARTWORK: ANDREW CROSSLEY
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- 01 September 2020, p. 48
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Keeping up with Carter
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- 22 January 2016, pp. 2-6
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Michael Finnissy, et al. - MICHAEL FINNISSY: Kritik der Urteilskraft; Unknown Ground1; À propos de Nice. 1Richard Jackson (bar.), New Music Players, c. Ed Hughes. Métier, msv 28536. - EDWIN ROXBURGH: The Well-Tempered Oboe1;FINNISSY Âwaz-e Niyâz2. Christopher Redgate (ob), 1Stephen Robbings (pno), 2Michael Finnissy (pno). Métier, msv 28529.
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- 03 January 2014, pp. 71-72
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Polansky et al. - ‘FRITZI UND HEIDEL’: works by POLANSKY, SHLOMOWITZ, CRUMB, RILEY, BLIJWEERT & VAN DER POEL, DUFOURT and CRICHTON. Fritzi und Heidel: Toon Callier (guits), Jeroen Stevens (perc.). Animal Lovers Only ALO016 - ‘UNDERWATER PRINCESS WALTZ’: A collection of one-page pieces by BERGER, BROWN, CURRAN, DIDKOVSKY, FORD, GOODE, MCCALLUM, POLANSKY and WOLFF. Zwerm: Johannes Westendorp, Bruno Nelissen, Kobe Van Cauwenberghe, Toon Callier (guits) with Eric Thielemans (perc.), Bertel Schollaert (sax.), Matthias Koole (guit.), Thomas Moore (voice-over). New World Records 80748 - ‘RECIPROCITY’: works by STEEN-ANDERSEN, KREIDLER, GADENSTÄTTER, CICILIANI, BEYER. Nico Couck (guits). ChampdAction/Recordings/3
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- 16 June 2014, pp. 86-88
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First Performances
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- 08 April 2008, pp. 33-47
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BOOK REVIEWS
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- 08 August 2012, pp. 73-75
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Grieg, Delius, Grainger and a Norwegian Cuckoo
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- 22 January 2016, pp. 11-20
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TIMBRE-BASED COMPOSITION, MULTIPLE PERSPECTIVES AND AMBIGUITY IN REBECCA SAUNDERS’ COMPOSITIONAL STYLE
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- 28 June 2021, pp. 20-34
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LABYRINTHS, LIMINALITY AND EKPHRASIS: THE GRAPHICAL IMPETUS IN THE MUSIC OF KENNETH HESKETH
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- 17 December 2020, pp. 45-71
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A SIXTIES ‘PIERROT’: A PERSONAL MEMOIR
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- 21 June 2005, pp. 17-25
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Estonian Music Days Festival, opening weekend, 10–12 April 2015
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- 07 September 2015, pp. 70-72
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TUBER, RHIZOME, TENDRIL AND CORM: ON THE MUSIC OF MARTIN ARNOLD
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- 10 June 2016, pp. 16-33
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LETTERS TO THE EDITOR
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- 18 July 2003, p. 57
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Further reviews
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- 02 October 2006, pp. 48-49
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CD AND DVD REVIEWS
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- 14 July 2010, pp. 65-81
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Panufnik at 70
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- 04 February 2010, pp. 2-10
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Music for Young America: A Washington Experiment
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- 04 February 2010, pp. 21-23
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Computer Applications to Bartók's Serbo-Croatian Material1
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- 04 February 2010, pp. 15-19
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