Renaissance Quarterly: Volume 54 -

Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Renaissance Quarterly

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Volume 54 - Spring 2001

Reviews

James Haar, The Science and Art of Renaissance Music. Princeton, New Jersey: Princeton University Press, 1998. xv + 389 pp. $45. ISBN: 0-691-02874-5.

Dale Kent, Cosimo de' Medici and the Florentine Renaissance: The Patron's Oeuvre. New Haven and London: Yale University Press, 2000. xiv + 148 b/w illus. + 40 pls. + 538pp. $49.95. ISBN 0-300-08128-6.

Jutta Gisela Sperling, Convents and the Body Politic in Late Renaissance Venice (Women in Culture and Society.) Chicago and London: University of Chicago Press, 1999. xxi + 417 pp. $65 (cl), $24 (pbk). ISBN: 0-226-76935-6 (cl), 0-226-76936-4 (pbk).

Richard Brilliant, My Laocoön: Alternative Claims in the Interpretation of Artworks. Berkeley: The University of California Press, 2000. 162 pp. inc. 27 b/w illus. $45. ISBN: 0-520-21682-2.

Thomas Puttfarken, The Discovery of Pictorial Composition. Theories of Visual Order in Painting 1400-1800. New Haven and London: Yale University Press, 2000. viii + 332 pp., inc. 120 b/w and 40 color illus. $45. ISBN: 0-300-08156-1.

Patricia Lee Rubin and Alison Wright, Renaissance Florence, The Art of the 1470s. London and New Haven: Yale University Press for National Gallery Publications, 1999. 352 pp. incl. 50 b/w + 230 color illus.. $50. ISBN: 0-300-08171-5.

Harry Berger, Jr., The Absence of Grace: Sprezzatura and Suspicion in Two Renaissance Courtesy Books. Stanford: Stanford University Press, 2000. xiv + 267pp. $55. (cl), $18.95 (pbk). ISBN: 0-8047-3904-8 (cl), 0-8047-3905-6 (pbk).

John Richards, Altichiero: An Artist and His Patrons in the Italian Trecento. Cambridge: Cambridge University Press, 2000. xxiv + 66 pls. + 265 pp. ISBN: 0-521-35649-0.

Jill Dunkerton, Susan Foister, D. Gordon, and Nicholas Penny, Dürer to Veronese. Sixteenth-Century Painting in the National Gallery. New Haven and London: Yale University Press, 2000. 408 pp. incl. 100 b/w + 300 color illus. $65. ISBN: 0-300-07220-1.

Ingo Herklotz, Cassiano dalPozzo und die Archäologie des 17. Jahrhunderts (Römische Forschungen der Bibliotheca Hertziana, 28.) Munich: Hirmer, 1999. 226 pls. + 439 pp. DM 268. ISBN: 3-7774-7750-8.

Roberta J. M. Olson, The Florentine Tondo. New York: Oxford University Press, 2000. xxxi + 12 pls. + 376 pp. ISBN: 0-19-817925-X.

Nancy L. Canepa, From Court to Forest: Giambattista Basile's Lo cunto de li cunti and the Birth of the Literary Fairy Tale. Detroit: Wayne State University Press, 1999. 333 pp. ISBN 0-8143-2758-3.

Gabriele Neher and Rupert Shepherd, eds., Revaluing Renaissance Art. Hants, UK and Brookfield, VT: Ashgate, 2000. xiv + 42 b/w figs. + 241 pp. $84.95. ISBN: 0-75460-169-2.

Ethan Matt Kavaler, Pieter Bruegel: Parables of Order and Enterprise. Cambridge and New York: Cambridge University Press, 1999. 139 pls. + 403 pp. $80. ISBN: 0-521-62267-0.

R. Ward Bissell, Artemisia Gentileschi and the Authority of Art. University Park, Pennsylvania: Pennsylvania State University Press, 1999. 27 color pls. + 257 b/w illus. + 446 pp. $85. ISBN: 0-271-01787-2.

Jodi Cranston, The Poetics of Portraiture in the Italian Renaissance. Cambridge: Cambridge University Press, 2000. xiii + 258 pp., inc. 69 figs. $85. ISBN: 0-521-65324-X.

Louise Rice, The Altar and Altarpieces of New St. Peter's: Outfitting the Basilica 1621-1666. New York and Cambridge: Cambridge University Press, in association with the American Academy in Rome, 1997. xvi + 350 pp. illus. $95.00. ISBN: 0-521-55470-5.

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Volume 54 - Spring 2001

Reviews