Renaissance Quarterly: Volume 50 - Issue 2

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 50 - Issue 2 - Summer 1997

Contents

Page 3 of 4

Reviews

Marie Le Jars de Gournay. Bouquet de Pinde, composé de fleurs diverses. Ed. Maddalena Bertelà. (Speculum Artium.) Ravenna: Longo Editore, 1995. 311 pp. IL60,000.
Cathleen M. Bauschatz
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20 November 2018, pp. 627-628
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John O'Brien. Anacreon Redivivus: A Study of Anacreontic Translation in Mid-Sixteenth Century France. Ann Arbor: University of Michigan Press, 1995. x + 276 pp. $44.50.
Joseph L. Allaire
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20 November 2018, pp. 628-629
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Thomas H. Luxon. Literal Figures: Puritan Allegory and the Reformation Crisis in Representation. Chicago and London: University of Chicago Press, 1995. xii + 256 pp. $28.00.
Marsha S. Robinson
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20 November 2018, pp. 629-630
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Sebastian Schütze and Thomas Willette. Massimo Stanzione: L'opera complete. Electa Napoli, 1992. 41 pls + 424 b/w illus. + 486 pp. IL180.000.
Judith Colton
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20 November 2018, pp. 630-631
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Ann Hersey Allison. The Bronzes of Pier Jacopo Alari-Bonacolsi, Called Antico. (Jahrbuch der Kunsthistorischen Sammlungen in Wien, 89/90.) Vienna: Verlag Anton Schroll & Co., 1993-94. 2 pls. + 226 b/w illus. + ii + 272 pp.
Lew Andrews
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20 November 2018, pp. 632-633
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Rona Goffen. Giovanni Bellini. New Haven and London: Yale University Press, 1989; rpt. 1994. 75 pls. + 122 b/w illus + ix + 347 pp. $60.00.
Norman E. Land
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20 November 2018, pp. 633-634
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Michael Hirst and Jill Dunkerton. The Young Michelangelo: Making and Meaning. London: The National Gallery, 1995; dist. Yale University Press. 125 pls. + 144 pp. $30.00.
James Beck
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20 November 2018, pp. 634-636
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William Wallace, ed. Michelangelo: Selected Scholarship in English. New York and London: Garland, 1995. 5 vols. $470.00.
Paula Carabell
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20 November 2018, pp. 636-638
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P. Barocchi, K. Loach Bramanti, R. Ristori, ed. Il Carteggio indiretto di Michelangelo, vol. 2. Florence: S.P.E.S., 1995. xi + 369 pp.
Elizabeth Cropper
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20 November 2018, pp. 638-639
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Patricia Rubin. Giorgio Vasari: Art and History. New Haven and London: Yale University Press, 1995. ix + 448 pp. $45.00.
James S. Ackerman
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20 November 2018, pp. 639-640
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Luba Freedman. Titian's Portraits Through Aretino's Lens. University Park, PA: Pennsylvania State University Press, 1995. 61 pls + xvi + 215 pp. $55.00.
Peter Humfrey
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20 November 2018, p. 641
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Creighton E. Gilbert. Caravaggio and His Two Cardinals. University Park, PA: Pennsylvania State University Press, 1995. 56 pls. + xiii + 322 pp. $85.00.
Troy Thomas
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20 November 2018, pp. 642-643
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Pamela M. Jones. Federico Borromeo and the Ambrosiana: Art Patronage and Reform in Seventeenth-Century Milan. Cambridge and New York: Cambridge University Press, 1993. 100 illus. + xiv + 386 pp. $99.95.
Dorothy Metzger Habel
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20 November 2018, pp. 643-645
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Mark Greengrass, Michael Leslie, and Timothy Raylor, ed. Samuel Hartlib and Universal Reformation: Studies in Intellectual Communication. Cambridge: Cambridge University Press, 1994. xix + 372 pp. $59.95.
Stanford Lehmberg
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20 November 2018, pp. 645-646
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Elisabeth Blair MacDougall. Fountains, Statues, and Flowers: Studies in Italian Gardens of the Sixteenth and Seventeenth Centuries. Washington, D.C.: Dumbarton Oaks, 1994. 14 pls. + 220 b/w illus + xiii + 355 pp $50.00.
Malcolm Campbell
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20 November 2018, pp. 646-647
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Reinhard Strohm. The Rise of European Music, 1380-1500. Cambridge: Cambridge University Press, 1993. xv + 720 pp. $95.00.
James Haar
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20 November 2018, pp. 647-648
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Siegfried Gmeinwieser, David Hiley, Jörg Riedblauer, ed. Musicologist humana: Studies in Honor of Warren and Ursula Kirkendale. (“Historiae Musicae Cultores” Biblioteca, 74.) Florence: Olschki, 1994. 596 pp. IL127,000.
Giulio M. Ongaro
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20 November 2018, pp. 649-650
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John Kmetz, ed. Music in the German Renaissance: Sources, Styles and Contexts. Cambridge: Cambridge University Press, 1994. xvii + 289 pp. $69.95.
Reinhard Strohm
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20 November 2018, pp. 650-651
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Sebastian Virdung. Musica getutscht. A Treatise on Musical Instruments. Ed. and trans. Beth Bullard. (Cambridge Musical Texts and Monographs.) Cambridge: Cambridge University Press, 1993. xii + 275 pp. $69.95.
Kristine K. Forney
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20 November 2018, pp. 651-652
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Rob C. Wegman. Born for the Muses: The Life and Masses of Jacob Obrecht. Oxford: Clarendon Press, 1994. xxv + 406 pp. $45.00.
Thomas Brothers
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20 November 2018, pp. 652-653
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Page 3 of 4

Renaissance Quarterly

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Volume 50 - Issue 2 - Summer 1997

Reviews

Marie Le Jars de Gournay. Bouquet de Pinde, composé de fleurs diverses. Ed. Maddalena Bertelà. (Speculum Artium.) Ravenna: Longo Editore, 1995. 311 pp. IL60,000.

John O'Brien. Anacreon Redivivus: A Study of Anacreontic Translation in Mid-Sixteenth Century France. Ann Arbor: University of Michigan Press, 1995. x + 276 pp. $44.50.

Thomas H. Luxon. Literal Figures: Puritan Allegory and the Reformation Crisis in Representation. Chicago and London: University of Chicago Press, 1995. xii + 256 pp. $28.00.

Sebastian Schütze and Thomas Willette. Massimo Stanzione: L'opera complete. Electa Napoli, 1992. 41 pls + 424 b/w illus. + 486 pp. IL180.000.

Ann Hersey Allison. The Bronzes of Pier Jacopo Alari-Bonacolsi, Called Antico. (Jahrbuch der Kunsthistorischen Sammlungen in Wien, 89/90.) Vienna: Verlag Anton Schroll & Co., 1993-94. 2 pls. + 226 b/w illus. + ii + 272 pp.

Rona Goffen. Giovanni Bellini. New Haven and London: Yale University Press, 1989; rpt. 1994. 75 pls. + 122 b/w illus + ix + 347 pp. $60.00.

Michael Hirst and Jill Dunkerton. The Young Michelangelo: Making and Meaning. London: The National Gallery, 1995; dist. Yale University Press. 125 pls. + 144 pp. $30.00.

William Wallace, ed. Michelangelo: Selected Scholarship in English. New York and London: Garland, 1995. 5 vols. $470.00.

P. Barocchi, K. Loach Bramanti, R. Ristori, ed. Il Carteggio indiretto di Michelangelo, vol. 2. Florence: S.P.E.S., 1995. xi + 369 pp.

Patricia Rubin. Giorgio Vasari: Art and History. New Haven and London: Yale University Press, 1995. ix + 448 pp. $45.00.

Luba Freedman. Titian's Portraits Through Aretino's Lens. University Park, PA: Pennsylvania State University Press, 1995. 61 pls + xvi + 215 pp. $55.00.

Creighton E. Gilbert. Caravaggio and His Two Cardinals. University Park, PA: Pennsylvania State University Press, 1995. 56 pls. + xiii + 322 pp. $85.00.

Pamela M. Jones. Federico Borromeo and the Ambrosiana: Art Patronage and Reform in Seventeenth-Century Milan. Cambridge and New York: Cambridge University Press, 1993. 100 illus. + xiv + 386 pp. $99.95.

Mark Greengrass, Michael Leslie, and Timothy Raylor, ed. Samuel Hartlib and Universal Reformation: Studies in Intellectual Communication. Cambridge: Cambridge University Press, 1994. xix + 372 pp. $59.95.

Elisabeth Blair MacDougall. Fountains, Statues, and Flowers: Studies in Italian Gardens of the Sixteenth and Seventeenth Centuries. Washington, D.C.: Dumbarton Oaks, 1994. 14 pls. + 220 b/w illus + xiii + 355 pp $50.00.

Reinhard Strohm. The Rise of European Music, 1380-1500. Cambridge: Cambridge University Press, 1993. xv + 720 pp. $95.00.

Siegfried Gmeinwieser, David Hiley, Jörg Riedblauer, ed. Musicologist humana: Studies in Honor of Warren and Ursula Kirkendale. (“Historiae Musicae Cultores” Biblioteca, 74.) Florence: Olschki, 1994. 596 pp. IL127,000.

John Kmetz, ed. Music in the German Renaissance: Sources, Styles and Contexts. Cambridge: Cambridge University Press, 1994. xvii + 289 pp. $69.95.

Sebastian Virdung. Musica getutscht. A Treatise on Musical Instruments. Ed. and trans. Beth Bullard. (Cambridge Musical Texts and Monographs.) Cambridge: Cambridge University Press, 1993. xii + 275 pp. $69.95.

Rob C. Wegman. Born for the Muses: The Life and Masses of Jacob Obrecht. Oxford: Clarendon Press, 1994. xxv + 406 pp. $45.00.

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Volume 50 - Issue 2 - Summer 1997

Reviews