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Claudian: Court Poet as Artist

Published online by Cambridge University Press:  04 July 2014

C. E. Gruzelier*
Affiliation:
Cambridge, England
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Extract

Claudian was the last important poet of Rome, the more striking in his talent because of the lack of competitors in the age in which he lived. It is interesting to note that of the people who have actually read his works, most can find in them something attractive or entertaining enough to justify the effort. One example is the opinion of Gibbon:

If we fairly balance his merits and his defects, we shall acknowledge that Claudian does not either satisfy or silence our reason. It would not be easy to produce a passage that deserves the epithet of sublime or pathetic; to select a verse that melts the heart or enlarges the imagination … [but] he was endowed with the rare and precious talent of raising the meanest, of adorning the most barren, and of diversifying the most similar topics; his colouring, more especially in descriptive poetry, is soft and splendid; and he seldom fails to display, and even to abuse, the advantages of a cultivated understanding, a copious fancy, an easy and sometimes forcible expression, and a perpetual flow of harmonious versification.

Type
Research Article
Copyright
Copyright © Aureal Publications 1989

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References

1. Gibbon, E., The Decline and Fall of the Roman Empire Vol. Ill, ed. J.B. Bury (London 1909), 299fGoogle Scholar.

2. Browning, R., The Cambridge History of Classical Literature Vol. II, ed. E.J. Kenney (Cambridge 1982), 708Google Scholar.

3. Barr, W., Claudian’s Panegyric on the Fourth Consulate of Honorius (Liverpool 1981), 23Google Scholar.

4. Platnauer’s, M. translation in his introduction to Claudian Vol. I (London and Cambridge, Mass. 1922), xii n.lGoogle Scholar.

5. Cameron, A., Claudian: Poetry and Propaganda at the Court of Honorius (Oxford 1970), 33 IffGoogle Scholar.

6. Ib., 381.

7. Ib., 285.

8. Waugh, E., Helena (Harmondsworth 1982), 79Google Scholar.

9. See Gruzelier, C. E., ‘Temporal and Timeless in Claudian’s De Raptu Proserpinae’, G&R 35 (1988), 56–72Google Scholar, esp. 67.

10. For a lengthy survey of all Claudian’s images, see Christiansen, P., The Use of Images by Claudius Claudianus (The Hague 1960)Google Scholar.

11. I would like to thank Professor R.G.M. Nisbet for reading this article prior to publication and offering many helpful and interesting suggestions.