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Understanding Records. A Field Guide to Recording Practice. Second Edition. By Jay Hodgson. New York: Bloomsbury, 2019. 233 pp. ISBN 978-1-5013-4237-0

Published online by Cambridge University Press:  04 June 2021

Alan van Keeken
Alan van Keeken*
Affiliation:
Albert-Ludwigs-University Freiburg, Germany
*
alan.van.keeken@zpkm.uni-freiburg.de
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Type
Review
Information
Popular Music , Volume 40 , Issue 1 , February 2021 , pp. 172 - 174
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Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

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References

Bennett, S. 2019. Modern Records, Maverick Methods. Technology and Process in Popular Music Record Production 1978–2000 (New York, Bloomsbury)CrossRefGoogle Scholar
Bennett, S., and Bates, E. 2018. ‘The production of music and sound: a multidisciplinary critique’, in Critical Approaches to the Production of Music and Sound, ed. Bennett, S. and Bates, E. (New York, Bloomsbury), pp. 1–22CrossRefGoogle Scholar
Dockwray, R., and Moore, A. F. 2010. ‘Configuring the sound-box 1965–1972’, Popular Music, 29/2, pp. 181–97CrossRefGoogle Scholar
Zak, A. 2001. The Poetics of Rock. Cutting Tracks, Making Records (Berkeley, CA, University of California Press)Google Scholar