Hostname: page-component-7bb8b95d7b-wpx69 Total loading time: 0 Render date: 2024-09-11T22:36:16.245Z Has data issue: false hasContentIssue false

The Rock Canon. Canonical Values in the Reception of Rock Albums. By Carys Wyn Jones. Aldershot and Burlington: Ashgate, 2008. 169 pp. ISBN 978-0-7546-6244-0

Published online by Cambridge University Press:  18 June 2009

Hélène Laurin
Affiliation:
McGill University, Canada

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Endnote

1. The canons analysed by Wyn Jones are all produced by US and British musicians (the only exception being Nico, from Germany). This points to the ethnocentricity of rock criticism, a problem which Wyn Jones addresses in her book, but also to commercial considerations, as ‘local’ canons would be hard to reckon with, as they are sold in specific markets.