Hostname: page-component-848d4c4894-5nwft Total loading time: 0 Render date: 2024-05-21T02:20:41.560Z Has data issue: false hasContentIssue false
  • English
  • Français

Hearing Maskanda: Musical Epistemologies in South Africa. By Barbara Titus. New York: Bloomsbury Publishing, 2022. 280 pp. ISBN 978-1-501-37776-1

Review products

Hearing Maskanda: Musical Epistemologies in South Africa. By Barbara Titus. New York: Bloomsbury Publishing, 2022. 280 pp. ISBN 978-1-501-37776-1

Published online by Cambridge University Press:  29 April 2024

Nanette de Jong Open the ORCID record for Nanette de Jong [Opens in a new window]
Nanette de Jong*
Affiliation:
Newcastle University, UK
*
nanette.de-jong@ncl.ac.uk
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Popular Music , First View , pp. 1 - 3
Check for updates
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Coplan, D.B. 2001.‘Sounds of the “Third Way”: Identity and the African Renaissance in contemporary South African popular traditional music’, Black Music Research Journal, 21/1, 107–24.CrossRefGoogle Scholar
De Jong, N. and Thandiszwe Diko, King Madzikane II. 2020. ‘Maskanda, Umkhosi wokukhahlela and the articulation of identity in South Africa’, Journal of the Royal Musical Association, 145/1, 167–90CrossRefGoogle Scholar
Small, C. 1998. Musicking: The Meanings of Performing And listening (Middletown, CT, Wesleyan University Press)Google Scholar