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Decomposed: The Political Ecology of Music. By Kyle Devine. Cambridge, MA: MIT Press, 2019. 316 pp. ISBN 978-0-262-53778-0

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Decomposed: The Political Ecology of Music. By Kyle Devine. Cambridge, MA: MIT Press, 2019. 316 pp. ISBN 978-0-262-53778-0

Published online by Cambridge University Press:  27 August 2020

Richard Osborne
Richard Osborne*
Affiliation:
Middlesex University
*
R.Osborne@mdx.ac.uk
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Information
Popular Music , Volume 39 , Issue 2 , May 2020 , pp. 370 - 372
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Copyright
Copyright © The Author(s), 2020. Published by Cambridge University Press

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References

Brennan, M., and Devine, K. 2019a. ‘Music streaming has a far worse carbon footprint than the heyday of records and CDs – new findings’, The Conversation, 8 April. https://theconversation.com/music-streaming-has-a-far-worse-carbon-footprint-than-the-heyday-of-records-and-cds-new-findings-114944 (accessed 5 February 2020)Google Scholar
Brennan, M., and Devine, K. 2019b. ‘Streaming music hurts the environment more than records or CDs ever did’, Independent, 17 April. https://www.independent.co.uk/news/science/music-streaming-environment-impact-cd-records-electricity-a8860001.html (accessed 5 February 2020)Google Scholar
Blistein, J. 2019. ‘Is streaming music dangerous to the environment? One researcher is sounding the alarm’, Rolling Stone, 23 May. https://www.rollingstone.com/music/music-features/environmental-impact-streaming-music-835220/ (accessed 5 February 2020)Google Scholar
Gillingham, K., Kotchen, M.J., Rapson, D.S., and Wagner, G. 2013, ‘Energy policy: the rebound effect is overplayed’, Nature, 493/7433, pp. 475–7610.1038/493475aCrossRefGoogle Scholar