Hostname: page-component-848d4c4894-r5zm4 Total loading time: 0 Render date: 2024-06-27T21:01:39.728Z Has data issue: false hasContentIssue false
  • English
  • Français

Concert and Dance: the foundations of black jazz in South Africa between the twenties and the early forties

Published online by Cambridge University Press:  17 November 2008

Christopher Ballantine
Rights & Permissions [Opens in a new window]

Extract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

The explosive development of a jazz-band tradition in South African cities from the 1920s – closely allied to the equally rapid maturation of a vaudeville tradition which has been in existence at least since the First World War – is one of the most astonishing features of urban-black culture in that country in the first half of the century. Surrounded by myriad other musics – styles forged by migrant workers; traditional styles transplanted from the countryside to the mines; petty bourgeois choral song; music of the church and of western-classical provenance – jazz and vaudeville quickly established themselves as the music which represented and articulated the hopes and aspirations of the most deeply urbanised sectors of the African working class.

Type
Research Article
Information
Popular Music , Volume 10 , Issue 2 , May 1991 , pp. 121 - 145
Copyright
Copyright © Cambridge University Press 1991

References

Beusen, Tommy. 1986. Author's interview, London, 28 04Google Scholar
Bozzoli, Belinda (ed.). 1983. Town and Countryside in the Transvaal (Johannesburg)Google Scholar
Coplan, David. 1979–1980. ‘Marabi culture: continuity and transformation in African music’, African Urban Studies, 6, WinterGoogle Scholar
Coplan, David. 1980. The Urbanization of African Performing Arts in South Africa, Ph.D. dissertation, Indiana UniversityGoogle Scholar
Coplan, David. 1982. ‘The emergence of African working-class culture’, in Industrialisation and Social Change in South Africa, ed. Marks, Shula and Rathbone, Richard (London)Google Scholar
Couzens, Tim. 1979. ‘Nobody's baby: Modikwe Dikobe and Alexandra 1942–6’, in Labour, Townships and Protest, ed. Bozzoli, Belinda (Johannesburg)Google Scholar
Couzens, Tim. 1985. The New African: A Study of the Life and Work of H.I.E. Dhlomo (Johannesburg)Google Scholar
Erlmann, Veit. 1986. ‘A feeling of prejudice: Orpheus McAdoo and the Jubilee singers in South Africa, 1890–1898’, paper given at the African Studies Institute of the University of the Witwatersrand, 25 08Google Scholar
Erlmann, Veit. 1987. ‘African popular music in Durban, 1913–1939’, unpublished manuscriptGoogle Scholar
Hellmann, Ellen. 1948. Rooiyard: A Sociological Survey of an Urban Native Slumyard (Cape Town)Google Scholar
Kubik, Gerhard. 1974. The Kachamba Brother's Band: A Study of Neo-traditional Music in Malawi, Zambian Papers (University of Zambia)Google Scholar
Maile, Sam. 1985. Author's interview, Johannesburg, 28 09Google Scholar
Makhanya, Lindi. 1987. Author's interview (with Veit Erlmann), Soweto, 13 02Google Scholar
Marks, Shula and Rathbone, Richard (eds). 1982. Industrialisation and Social Change in South Africa (London)Google Scholar
Matshikiza, Todd. 1951. ‘Twenty years of jazz’, Drum, 12Google Scholar
Mphahlele, Es'kia. 1959. Down Second Avenue (London)Google Scholar
Phillips, Ray. n.d. The Bantu in the City (Lovedale, South Africa)Google Scholar
Piliso, Ntemi. 1984. Author's interview, Johannesburg, 24 01Google Scholar
Piliso, Ntemi. 1985. Author's interview, Johannesburg, 26 07Google Scholar
Pretorius, Marjorie. 1987. Author's interview, Johannesburg, 18 10Google Scholar
Quaker, Dale. 1986. Author's interview, Johannesburg, 10 10Google Scholar
Radebe, Mark. 1932. ‘Bantu national music’, UWB, 9 07Google Scholar
Rezant, Peter. 1974. Interview by Tim Couzens, Johannesburg, 30 12Google Scholar
Rezant, Peter. 1980. Interview by Eddie Koch, Johannesburg, 22 06Google Scholar
Rezant, Peter. 1984. Author's interview, Johannesburg, 3 06Google Scholar
Rezant, Peter. 1985. Author's interview, Johannesburg, 23 06Google Scholar
Silgee, Wilson. 1979a. Interview by Tim Couzens, Johannesburg, 15 03Google Scholar
Silgee, Wilson. 1979b. Interview by Eddie Koch, Johannesburg, 11 09Google Scholar
Silgee, Wilson. 1986. Interview by MEDU, Gaborone, 07 1982, published in Rixaka, 3Google Scholar
Sililo, Edward. 1986. Author's interview, Johannesburg, 1 12Google Scholar
Sole, Kelwyn. 1984. ‘Black literature and performance: some notes on class and populism’, South African Labour Bulletin, 9/8, 07Google Scholar
Tirro, Frank. 1979. Jazz: A History (London)Google Scholar