Hostname: page-component-7bb8b95d7b-dvmhs Total loading time: 0 Render date: 2024-09-05T14:21:18.616Z Has data issue: false hasContentIssue false
  • English
  • Français

The History of Live Music in Britain: From Dance Hall to the 100 Club. By Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster. Farnham: Ashgate, 2013. 221 pp. ISBN 978-1-409-42280-8

Published online by Cambridge University Press:  19 December 2014

Catherine Tackley
Catherine Tackley*
Affiliation:
Open University, UK
*
catherine.tackley@open.ac.uk
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 34 , Issue 1 , January 2015 , pp. 170 - 172
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Blake, A. 1997. The Land Without Music: Music, Culture and Society in Twentieth-century Britain (Manchester, Manchester University Press)Google Scholar
Nott, J. 2002. Music for the People: Popular Music and Dance in InterWar Britain (Oxford, Oxford University Press)Google Scholar
Oliver, P. (ed.) 1990. Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music (Milton Keynes, Open University Press)Google Scholar