Nineteenth-Century Music Review: Volume 13 -

Nineteenth-Century Music Review

Only show content I have access to (4)

Over 3 years (58)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Nineteenth-Century Music Review
ISSN: 1479-4098

EISSN: 2044-8414

URL: /core/journals/nineteenth-century-music-review
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Nineteenth-Century Music Review

Refine listing

Actions for selected content:

Volume 13 - December 2016

Book Reviews

Renate Wieland and Jürgen Uhde, Schubert. Späte Klaviermusik. Spuren ihrer inneren Geschichte (Kassel: Bärenreiter, 2014). 297 pp. €24.95.

Stephen Muir and Anastasia Belina-Johnson, eds, Wagner in Russia, Poland and the Czech Lands: Musical, Literary and Cultural Perspectives (Farnham and Burlington, VT: Ashgate, 2013). xxxvii + 216 pp. $149.95.

Scott Messing, Marching to the Canon: the Life of Schubert’s Marche militaire (Rochester: University of Rochester Press). xviii + 319 pp. £55.00.

Paul Berry, Brahms Among Friends: Listening, Performance and the Rhetoric of Allusion (Oxford: Oxford University Press, 2014). xiii + 379 pp. £29.99

Dolores Pesce, Liszt’s Final Decade (Rochester: University of Rochester Press, 2014). xiv + 369 pp. £55.00

John M. Gingerich, Schubert’s Beethoven Project (Cambridge: Cambridge University Press, 2014). xvi + 358 pp. £65.00.

Katy Hamilton and Natasha Loges, eds, Brahms in the Home and the Concert Hall: Between Private and Public Performance (Cambridge: Cambridge University Press, 2014). xxvii+395 pp. £67.49.

Christopher H. Gibbs and Morten Solvik, eds, Franz Schubert and His World (Princeton: Princeton University Press, 2014). xvii + 364 pp. £52.00.

Alison Hood, Interpreting Chopin: Analysis and Performance (Farnham: Ashgate, 2014). xx+236 pp. £60.00.

Graham Johnson, Franz Schubert: The Complete Songs, 3 vols, with song text translations by Richard Wigmore (New Haven and London: Yale University Press, 2014). xxx+2821 pp. $300.00.

Lisa Feurzeig, Schubert’s Lieder and the Philosophy of Early German Romanticism (Farnham: Ashgate, 2014). xvi + 198 pp. $109.95.

Dorottya Fabian, Renee Timmers and Emery Schubert, eds, Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures (Oxford: Oxford University Press, 2014). xxx + 383 pp. £55.00.

Nicholas Mathew and Benjamin Walton, eds, The Invention of Beethoven and Rossini: Historiography, Analysis, Criticism (Cambridge: Cambridge University Press, 2013). xiii+384 pp. $120.00.

Martin Chusid, Schubert’s Dances: For Family, Friends, and Posterity (Hillsdale, NY: Pendragon Press, 2013). xxxiv+262 pp. $48.00.

David Brodbeck, Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna. The New Cultural History of Music (Oxford: Oxford University Press, 2014). xviii+365 pp. $45.00.

Score Review

Franz Schubert, Fantasies for Piano, ed. Walther Dürr and David Goldberger. Franz Schubert: New Schubert Edition, BA 10862 (Kassel: Bärenreiter, 2014). xviii+62pp. € 17,95.

Book Reviews

Robert P. Morgan, Becoming Heinrich Schenker: Music Theory and Ideology (Cambridge: Cambridge University Press, 2014). xx+275 pp. $99.99.

Front Cover (OFC, IFC) and matter

NCM volume 13 issue 1 Cover and Front matter

Back Cover (OBC, IBC) and matter

NCM volume 13 issue 1 Cover and Back matter

CD Reviews

Louis Spohr - Duo Concertant in G minor op. 95 Duo Concertant in F major op. 96 (‘Nachklänge einer Reise … ’) Duo Concertant in E major op. 112 6 Duettinen op. 127 (‘Elegisch und humoristisch’) - Francesco Parrino vn, Michele Fedrigotti pf Stradivarius 33933 (2 CDs: 124 minutes), $27

Nineteenth-Century Music Review

Refine listing

Actions for selected content:

Save Search

Volume 13 - December 2016

Book Reviews

Score Review

Book Reviews

Front Cover (OFC, IFC) and matter

Back Cover (OBC, IBC) and matter

CD Reviews