This article assesses Italy's participation in the Expo du Sahara in Paris in 1934, placing it within the framework of European colonial culture, exhibitions, and international relations during the 1930s. Hitherto, the Expo du Sahara has been largely ignored by historiography, but it offers important insights into Italo-French relations in the years immediately preceding Italy's invasion of Ethiopia, as well as the ways in which Fascist Italy sought national and international legitimacy through the medium of exhibitions. The Paris exhibition, staged by the European powers after years of clashes, was also a physical representation of the so-called ‘colonial concord’ and ‘peaceful’ partition of North Africa, processes in which Italy's role was fundamental.

The paper explores the tale of two 'epicentres’ – metropolitan New York and Lombardy – and seeks to depict the socio-demographic patterns that characterise the worst cases of infection, hospitalisation, and death during the first six months of the Covid-19 pandemic in 2020. By drawing upon secondary data concerning sub-territorial units within the two regions – ZIP-code level and counties in New York and municipalities in Italy – the paper compares the characteristics of the two areas in an effort to understand both how they became the original major epicentres and how their experiences of the pandemic differed. We suspected initially that the pandemic in Lombardy was a function of a complex constellation of variables, such as the age of the population, the unexpected emergence of the virus, and features of the local health system. In New York, the pattern seemed to fit a more familiar dynamic, the kind one would expect from the course that most pandemics take: the poor suffer the worst. The paper tries to extend the understanding of the complex and not univocal mix of social variables that can facilitate the spread of a pandemic and make its effects extreme.

This essay will consider some key aspects of the imagery of the ventennio regarding the Italian overseas territories through the analysis of the covers of the illustrated magazine Libia, launched in 1937 in the context of the so-called ‘Fourth Shore’ of Italy, ruled between 1934 and 1940 by governor Italo Balbo. Firstly, this essay will address the existing bibliography on the relations between the press and Italian colonialism. Then, it will examine the figure of Balbo over two sections – one relating to his activities for the development of Libya, the other dedicated to his relationship with the arts – unpacking the close links between the work of the governor in the colony and the periodical. The final part of the article will focus on Libia, examining the themes and subjects chosen to illustrate its covers and the several artists who collaborated with the magazine as illustrators.

Federico Finchelstein is Professor of History at the New School for Social Research and Eugene Lang College, New York. He is one of the leading scholars on fascism and populism. Professor Finchelstein is the author of many books that have been translated into several languages, including the successful From Fascism to Populism in History (University of California Press, 2017). His new monograph, Fascist Mythologies. The History and Politics of Unreason in Borges, Freud, and Schmitt, is forthcoming in June 2022 from Columbia University Press. Given this, he is a natural starting point to discuss the global dimension of populism and its historical experiences from Latin America to Italy. Andrea Mammone, co-editor of Modern Italy, interviewed him in December 2021.

This article investigates how the Ethiopian war was represented by Epoca – the most prolific Italian weekly news magazine for illustrated reportage in postwar Italy – during the last phase of Italian colonialism (1950–60). The analysis focuses specifically on two photographic commemorations published on the twentieth (1955) and twenty-fifth anniversary (1960). The aim of this contribution is to examine these iconotexts in order to display how the interplay between images and words transmitted a selective and codified memory whose path mainly moved from nostalgia to pride while remaining characterised by a complete rejection of the feeling of shame. This representation was not even questioned by the references to those elements that will be considered, in the long-term, as evidence of the brutality of this colonial enterprise: those signals appear not to have been removed, but rather silenced and not truly comprehended, preventing the sense of shame from taking root in Epoca until 1995.

This research project is aimed at identifying risk and protective factors of social withdrawal, by studying some areas of young people's psychological wellbeing. The study took place in a medium-sized town in the north-west of Italy. A total of 1,102 students participated in the study. An online survey was sent to all the students attending the second year of local high schools, then the results were combined with those from two focus groups involving young people and adults. The findings indicate that socio-cultural factors may be the reasons why social disengagement is so widespread. The societal pressure to be successful in every life domain may push young people, unable to conform, out of the competition. Bullying, negative school experiences and stress are associated with an over-investment of time on the internet, a harbinger of social isolation. This study's findings suggest the need to plan student initiatives, to identify the warning signals of the phenomenon.