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Kant on Fine Art, Genius and the Threat of Private Meaning

Published online by Cambridge University Press:  16 May 2018

Aviv Reiter
Aviv Reiter*
Affiliation:
Tel Aviv University
*
Email: avivreit@post.tau.ac.il
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Abstract

Wittgenstein’s private language argument claims that language and meaning generally are public. It also contends with our appreciation of artworks and reveals the deep connection in our minds between originality and the temptation to think of original meaning as private. This problematic connection of ideas is found in Kant’s theory of fine art. For Kant conceives of the capacity of artistic genius for imaginatively envisioning original content as prior to and independent of finding the artistic means of communicating this content to others. This raises the question of whether we can conceive of art as both original and meaningful without succumbing to privacy.

Keywords

KantWittgensteinfine artoriginalityprivacygeniustastespirit
Type
Articles
Information
Kantian Review , Volume 23 , Issue 2 , June 2018 , pp. 307 - 323
Copyright
© Kantian Review 2018 

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