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Silvestre Revueltas, La Coronela, Itinerarios, Colorines. English Chamber Orchestra, Santa Barbara Symphony, Gisèle Ben-Dor, conductor. Naxos Latin American Classics CD 8.572250, 2010.

Published online by Cambridge University Press:  23 May 2013

Abstract

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Type
Recording Reviews
Copyright
Copyright © The Society for American Music 2013 

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References

1 This recording appeared originally in the Koch International Classics series in 1998 (CD 3-7421-2H1).

2 Silvestre Revueltas, Centennial Anthology 1899–1999: 15 Masterpieces, RCA Red Seal 63548-2, 1999; Night of the Mayas. Music of Silvestre Revueltas, BMG Classics 62672-2, 1994; Sensemayá. Music of Silvestre Revueltas, Esa-Pekka Salonen, Los Angeles Philharmonic, Sony Classical 60676-2, 1999.

3 Kolb, Roberto, Silvestre Revueltas: Catálogo de sus obras (Coyoacán, DF, México: UNAM, 1998)Google Scholar; Kolb, R. and Wolffer, José, eds., Silvestre Revueltas: Sonidos en rebelión (Coyoacán, DF, México: UNAM, 2007)Google Scholar; Kolb, R., Contracanto: Una perspectiva semiótica de la obra temprana de Silvestre Revueltas (Coyoacán, DF, México: IIE/UNAM, 2012)Google Scholar; Estrada, Julio, Canto roto: Silvestre Revueltas (Coyoacán, DF, México: Fondo de Cultura Económica / UNAM, 2012)Google Scholar. A significant number of recent articles can be found in the bibliography contained in www.fororevueltas.unam.mx.

4 Some of recordings that explore the lesser known works of Revueltas are conductor Enrique Diemecke's Sensemayá: The Unknown Revueltas (Dorian Recordings CD DOR-90244, 1996), which includes the original version of Sensemayá; Silvestre Revueltas: Música de excepción, which includes premiere recordings of little-known or previously unidentified chamber works (BMG CDC 743218228728, 2000); conductor José Luis Castillo's Silvestre Revueltas: Obra orquestal inédita, with the Orquesta Sinfónica de la Universidad de Guanajuato, which contains the first recording of Esquinas (Corners) in its two versions (1931 and 1933), as well as a reconstruction of Revueltas's concert version of the music for Paul Strand's film The Wave (Quindecim QP 123, 2004); and most recently, Román Revueltas conducting the Aguascalientes Orchestra in a recording that includes the first complete version of Música para charlar (Chit-Chat Music), a film score previously known only in the form of several suite compilations attributed to Erich Kleiber and others, as well as Itinerarios (Itineraries), also for the first time in a version faithful to the original manuscript (ICA/CNCA, 2010).

5 Revueltas: La Coronel, Moncayo: Sinfonía, Márquez: Danzón 2, Orquesta Sinfónica Nacional de México, Enrique Arturo Diemecke, conductor, Spartacus SDX 21027, 1997 (This CD was not distributed until after the Ben-Dor recording); Silvestre Revueltas. Orchestral Music, Aguascalientes Symphony Orchestra, Enrique Barrios, conductor, Naxos CD 8.555917, 2002.

6 Silvestre Revueltas, “Itinerario,” El Nacional, 1 December 1940.

7 Teibler, Antonia, Silvestre Revueltas: Musik für Bühne und Film (Vienna: Böhlau Verlag, 2011)CrossRefGoogle Scholar.