No CrossRef data available.
Article contents
Hungry Listening: Resonant Theory for Indigenous Sound Studies By Dylan Robinson. Minneapolis: University of Minnesota Press, 2020.
Review products
Hungry Listening: Resonant Theory for Indigenous Sound Studies By Dylan Robinson. Minneapolis: University of Minnesota Press, 2020.
Published online by Cambridge University Press: 28 March 2023
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Book Review
- Information
- Copyright
- Copyright © The Author(s), 2023. Published by Cambridge University Press on behalf of the Society for American Music
References
1 McClary, Susan, Feminine Endings: Music, Gender, and Sexuality (Minneapolis: University of Minnesota Press, 1991), 19Google Scholar.
2 Coulthard, Glen Sean, Red Skin, White Masks: Rejecting the Colonial Politics of Recognition (Minneapolis: University of Minnesota Press, 2014)CrossRefGoogle Scholar; Simpson, Audra, Mohawk Interruptus: Political Life Across the Borders of Settler States (Durham, NC: Duke University Press Books, 2014)Google Scholar; Simpson, Leanne Betasamosake, Dancing on Our Turtle's Back: Stories of Nishnaabeg Re-creation, Resurgence and a New Emergence (Winnipeg, Canada: Arbeiter Ring Publishing, 2011)Google Scholar.
3 Hisama, Ellie, “John Zorn and the Postmodern Condition,” in Locating East Asia in Western Art Music, eds., Everett, Yayoi Uno and Lau, Frederick (Middletown, CT: Wesleyan University Press, 2004), 72–84Google Scholar; Crawley, Ashon T., Blackpentecostal Breath: The Aesthetics of Possibility (New York: Fordham University Press, 2016)CrossRefGoogle Scholar; Stoever, Jennifer Lynn, The Sonic Color Line: Race and the Cultural Politics of Listening (New York University Press, 2016)CrossRefGoogle Scholar; Ochoa Gautier, Ana María, Aurality: Listening and Knowledge in Nineteenth-Century Colombia (Durham, NC: Duke University Press, 2014)CrossRefGoogle Scholar; Kheshti, Roshanak, Modernity's Ear: Listening to Race and Gender in World Music (New York University Press, 2015)Google Scholar.
4 Gus Stadler, “On Whiteness and Sound Studies,” Sounding Out! (blog), July 6, 2015, https://soundstudiesblog.com/2015/07/06/on-whiteness-and-sound-studies/.
5 Perea, Jessica Bissett, Sound Relations: Native Ways of Doing Music History in Alaska (New York: Oxford University Press, 2021)CrossRefGoogle Scholar.