Hostname: page-component-7479d7b7d-68ccn Total loading time: 0 Render date: 2024-07-12T03:21:18.398Z Has data issue: false hasContentIssue false
  • English
  • Français

Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance. By Harshita Mruthinti Kamath. Berkeley: University of California Press, 2019. 215 pp. ISBN: 9780520301665 (paper).

Review products

Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance. By Harshita Mruthinti Kamath. Berkeley: University of California Press, 2019. 215 pp. ISBN: 9780520301665 (paper).

Published online by Cambridge University Press:  16 June 2020

Rumya S. Putcha
Rumya S. Putcha*
Affiliation:
University of Georgia
*
rsputcha@uga.edu
Get access

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews—South Asia
Information
The Journal of Asian Studies , Volume 79 , Issue 2 , May 2020 , pp. 522 - 524
Copyright
Copyright © The Association for Asian Studies, Inc. 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 See, for example, Morelli, Sarah, A Guru's Journey: Pandit Chitresh Das and Indian Classical Dance in Diaspora (Urbana: University of Illinois Press, 2019)CrossRefGoogle Scholar; Zubko, Katherine C., Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam (Lanham, Md.: Lexington Books, 2014)Google Scholar.

2 Harshita M. Kamath, “Aesthetics, Performativity, & Performative Māyā: Imagining Gender in the Textual and Performance Traditions of Telugu South India” (PhD diss., Emory University, 2012).

3 Anuradha Jonnalagadda, “Traditions and Innovations in Kuchipudi Dance” (PhD diss., University of Hyderabad, 1996); Davesh Soneji, “Performing Satyabhama: Text, Context, Memory and Mimesis in Telugu-Speaking South India” (PhD diss., McGill University, 2004).