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Toward a Global History of Art: Recent Studies on Twentieth-Century Japanese Art - Making Modern Japanese-Style Painting: Kano Hōgai and the Search for Images. By Chelsea Foxwell . Chicago: University of Chicago Press, 2015. xiii, 281 pp. ISBN: 9780226110806 (cloth, also available as e-book). - Hokusai's Great Wave: Biography of a Global Icon. By Christine M. E. Guth . Honolulu: University of Hawai‘i Press, 2015. xv, 256 pp. ISBN: 9780824839604 (cloth, also available in paper). - The Stakes of Exposure: Anxious Bodies in Postwar Japanese Art. By Namiko Kunimoto . Minneapolis: University of Minnesota Press, 2017. xv, 263 pp. ISBN: 9781517900953 (cloth, also available in paper). - Imitation and Creativity in Japanese Arts: From Kishida Ryūsei to Miyazaki Hayao. By Michael Lucken , translated by Francesca Simkin . New York: Columbia University Press, 2016. vi, 248 pp. ISBN: 9780231172929 (cloth, also available as e-book).

Published online by Cambridge University Press:  19 February 2018

Stephanie Su
Stephanie Su*
Affiliation:
Sainsbury Institute for the Study of Japanese Arts and CulturesUniversity of East Anglia, United Kingdom
*
s.su@sainsbury-institute.org
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Type
Book Reviews—Japan
Information
The Journal of Asian Studies , Volume 77 , Issue 1 , February 2018 , pp. 246 - 251
Copyright
Copyright © The Association for Asian Studies, Inc. 2018 

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References

1 Here are some examples of popular art history textbooks in the United States: Gombrich, E. H., The Story of Art (New York: Phaidon, 1995)Google Scholar; Gardner, Helen, Tansey, Richard, and Kleiner, Fred, Gardner's Art through the Ages (Boston: Wadsworth, 1996)Google Scholar; Janson, Horst Woldmar and Janson, Anthony, History of Art: the Western Tradition (Upper Saddle River, N.J.: Prentice-Hall, 2003)Google Scholar, later retitled as Janson's History of Art; Foster, Hal, Krauss, Rosaline, Bois, Yve-Alain, and Buchloh, Benjamin, Art since 1900: Modernism, Antimodernism, Postmodernism (New York: Thames & Hudson, 2004)Google Scholar.

2 Moxey, Keith, Visual Time: The Image in History (Durham, N.C.: Duke University Press, 2013), 2CrossRefGoogle Scholar.

3 Volk, Alicia, In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art (Berkeley: University of California Press, 2010)Google Scholar; Tiampo, Ming, Gutai: Decentering Modernism (Chicago: University of Chicago Press, 2011)Google Scholar; Winther-Tamaki, Bert, Maximum Embodiment: Yōga, the Western Painting of Japan, 1912–1955 (Honolulu: University of Hawai‘i Press, 2012)Google Scholar.

4 Volk, In Pursuit of Universalism, op. cit. note 3, 5.

5 Ming, Gutai, op. cit. note 3, 5.

6 Winther-Tamaki, Maximum Embodiment, op. cit. note 3, 12.

7 Lucken, Michael, L'art du Japan au vingtième siècle [The art of Japan in the twentieth century] (Paris: Hermann, 2001)Google Scholar.

8 See, e.g., West, Victoria, Japanese Painting and National Identity: Okakura Tenshin and His Circle (Ann Arbor: Center for Japanese Studies, University of Michigan, 2004)CrossRefGoogle Scholar; Conant, Ellen P., Owyoung, Steven D., and Rimer, J. Thomas, Nihonga: Transcending the Past: Japanese-Style Painting, 1868–1968 (St. Louis, Mo.: St. Louis Art Museum, 1995)Google Scholar.