Hostname: page-component-848d4c4894-sjtt6 Total loading time: 0 Render date: 2024-06-23T02:49:16.670Z Has data issue: false hasContentIssue false

Work the Root: Black Feminism, Hoodoo Love Rituals, and Practices of Freedom

Published online by Cambridge University Press:  01 January 2020

Abstract

In “Post‐Liberation Feminism,” Ladelle McWhorter raises the question of what practices will be helpful to further feminist goals if we are no longer in a state of domination, but are still oppressed. McWhorter finds resources in Michel Foucault's concept of “practices of freedom” to begin to answer this question. I build upon McWhorter's insight while recalling Angela Davis's Blues Legacies and Black Feminism: namely, that sexual love, as conceived in hoodoo and the blues, became a terrain upon which newly emancipated blacks worked out what their newfound freedom meant. In this essay, I consider what practices of freedom would look like within a life‐giving nexus of hoodoo, blues, and sexual love. Not only does the image of the hoodoo woman, prevalent within the blues, emerge through an interaction of race, class, region, gender, sexuality, and spiritualty, but analyzing sexual love within this hoodoo–blues coupling will help us track how sexual love was transformed into a practice of freedom. I will argue that sexual love within this hoodoo–blues coupling reveals an important dimension of emancipatory work that both defies categorization as resistance and is crucial to the development of capacities for resistance.

Type
Articles
Copyright
Copyright © 2017 by Hypatia, Inc.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Alexander, Michelle. 2012. The new Jim Crow. New York: The New Press.Google Scholar
Baldwin, James. 2011. The cross of redemption. New York: Vintage International.Google Scholar
Baraka, Amiri. 1999. Blues people. New York: William and Morrow Company.Google Scholar
Chesnutt, Charles. 1998. Tales of conjure and the color line. Mineola, N.Y.: Dover Publications.Google Scholar
Chireau, Yvonne. 2003. Black magic. Berkeley: University of California Press.Google Scholar
Collins, Patricia Hill. 2000. Black feminist thought. New York: Routledge.Google Scholar
Cone, James H. 1972. The Spirituals and the blues: An interpretation. New York: The Seabury Press.Google Scholar
Davis, Angela Y. 1981. Women, race, and class. New York: Random House.Google Scholar
Davis, Angela Y. 1998. Blues legacies and black feminism. New York: Vintage Books.Google Scholar
Davis, Angela Y. 2010. Lectures on liberation. In Narrative of the life of Frederick Douglass, an American slave, written by himself: a new critical edition by Angela Y. Davis. San Francisco: Open Media Series.Google Scholar
Dunham, Katherine. 1969. Island possessed. Chicago: University of Chicago Press.Google Scholar
Evans, Freddi Williams. 2011. Congo square: African roots in New Orleans. Lafayette: University of Louisiana at Lafeyette Press.Google Scholar
Foucault, Michel. 1998. The ethics of the concern of the self as a practice of freedom. In Ethics, ed. Rabinow, Paul. New York: New Press.Google Scholar
Franklin, Aretha. 1971. Dr. Feelgood. Aretha Franklin: Live at Filmore West. Burbank, Calif.: Rhino Entertainment Co.Google Scholar
Glaude, Eddie S. Jr. 2007. In a shade of blue. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Hazzard‐Gordon, Katrina. 1990. Jookin’. Philadelphia: Temple University Press.Google Scholar
Hazzard‐Donald, Katrina. 2013. Mojo Workin’. Urbana: University of Illinois Press.Google Scholar
Hurston, Zora Neale. 1931. Hoodoo in America. Journal of American Folklore 44 (174): 317417.CrossRefGoogle Scholar
Hurston, Zora Neale. 1981. The sanctified church: Folklore writings of Zora Neale Hurston. Berkeley, Calif.: Turtle Island Foundation.Google Scholar
Hurston, Zora Neale. 1995. Zora Neale Hurston: Folklore, memoirs, and other writings. New York: Literary Classics.Google Scholar
Hyatt, Harry Middleton. 1970. Hoodoo, conjuration, witchcraft, rootwork. Vol. 1. 5 vols. Hannibal, Mo.: Western Publishing.Google Scholar
Hyatt, Harry Middleton. 1973. Hoodoo, conjuration, witchcraft, rootwork. Vol. 3. 5 vols. Cambridge, Md.: Western Publishing.Google Scholar
Jordan, June. 1974. On Richard Wright and Zora Neale Hurston. Black World (August): 47.Google Scholar
Leone, Mark P., and Fry, Gladys‐Marie. 1999. Conjuring in the big house kitchen. Journal of American Folklore 112 (445): 372403.CrossRefGoogle Scholar
Levine, Lawrence. 1977. Black culture and black consciousness. New York: Oxford University Press.Google Scholar
Lorde, Audre. 2000. Sister outsider. Berkeley: Crossing Press.Google Scholar
Mahmood, Saba. 2005. Politics of piety. Princeton: Princeton University Press.Google Scholar
Martin, Kameelah. 2013. Conjuring moments in African American literature. New York: Palgrave Macmillan.Google Scholar
McWhorter, Ladelle. 2013. Post‐liberation feminism and practices of freedom. Foucault Studies 16: 5473.CrossRefGoogle Scholar
Morrison, Toni. 1987. Beloved. New York: Vintage International.Google Scholar
Ruppel, Timothy, Neuwirth, Jessica, Leone, Mark P., and Fry, Gladys‐Marie. 2000. Hidden in view. In houses, yards, and gardens, ed. American, African. Washington, DC: Dumbarton Oaks.Google Scholar
Russell, Michelle. 1982. Slave codes and liner notes. In But some of us are brave, ed. Hull, Gloria T., Bell Scott, Patricia, and Smith, Barbara. Old Westbury, N.Y.: Feminist Press.Google Scholar
Southern, Eileen. 1983. The music of black Americans: A history. New York: W.W. Norton.Google Scholar
Stallings, L. H. 2007. Mutha’ is half a word. Columbus: The Ohio State University Press.Google Scholar
Stewart, Lindsey. 2015. The politics of joy: Zora Neale Hurston, spirit work, and black liberation politics. PhD diss.: The Pennsylvania State University.Google Scholar
Tallant, Robert. 1946. Voodoo in New Orleans. New York: MacMillian Company.Google Scholar