Hostname: page-component-8448b6f56d-cfpbc Total loading time: 0 Render date: 2024-04-23T14:44:49.468Z Has data issue: false hasContentIssue false

The Perverse Mother: Maternal Masochism in Ira Levin's Rosemary's Baby

Published online by Cambridge University Press:  01 January 2020

Abstract

This essay suggests that despite the traditional viewpoint that it seemingly supplements patriarchy's consistent marginalization of maternal bodies, masochism, as formulated by Gilles Deleuze, offers the possibility of a maternal subjectivity beyond paternal domination. Deleuze's conception of masochism reveals an innovative way in which to view maternity as a tactical schema that operates through the perverse disavowal and resexualization of patriarchal law in order not only to destabilize its foundations, but to produce a maternal identity of the mother's own creation. This essay will use Ira Levin's horror novel Rosemary's Baby to contextualize an adaptation of Deleuze's theory in order to account for the relationship between mother and child, and the emergent subjectivity the dyad produces. Levin's novel seamlessly showcases how the maternal body is observed and optimized by reproductive technologies in order to produce not only a heteronormative ideal of maternity, but a child who will reflect paternal law. This essay argues that the titular character, Rosemary Woodhouse, establishes a masochistic contract with her son whereby she reconfigures his identity through a perverse disavowal of the Law of the Father, replacing it with maternal authority. Most important, her performance of masochism results in the marginalization of the father, and the emergence of a new maternal identity.

Type
Articles
Copyright
Copyright © 2017 by Hypatia, Inc.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bogue, Ronald. 2007. Deleuze's way: Essays in transverse ethics and aesthetics. Hampshire, UK: Ashgate.Google Scholar
Bogue, Ronald. 2010. Deleuzian fabulation and the scars of history. Edinburgh, UK: Edinburgh University Press.Google Scholar
Charnon‐Deutsch, Lou. 1994. Narratives of desire: Nineteenth‐century Spanish fiction by women. University Park: Pennsylvania State University Press.Google Scholar
De Bolle, Leen. 2010. Deleuze's passive syntheses of time and the dissolved self. In Deleuze and psychoanalysis: Philosophical essays on Deleuze's debate with psychoanalysis, ed. De Bolle, Leen. Leuven, Netherlands: Leuven University Press.CrossRefGoogle Scholar
Deleuze, Gilles. 1967/1989. Masochism: Coldness and cruelty & Venus in furs. Trans. Jean McNeil. New York: Zone Books.Google Scholar
Deleuze, Gilles. 1968. Difference and repetition. Trans. Paul Patton. New York: Columbia University Press.Google Scholar
Deleuze, Gilles. 1985. Cinema II: The time‐image. Trans. Hugh Tomlinson and Robert Galeta. London: Bloomsbury.Google Scholar
Edelman, Lee. 2004. No future: Queer theory and the death drive. Durham, N.C.: Duke University Press.CrossRefGoogle Scholar
Faulkner, Keith W. 2006. Deleuze and the three syntheses of time. New York: Peter Lang.Google Scholar
Fink, Bruce. 2007. Fundamentals of psychoanalytic technique: A Lacanian approach for practitioners. New York: Norton.Google Scholar
Foucault, Michel. 1978. The history of sexuality: An introduction. Trans. Robert Hurley. New York: Vintage.Google Scholar
Geyskens, Tomas. 2010. Literature as symptomatology: Gilles Deleuze on Sacher‐Masoch. In Deleuze and psychoanalysis: Philosophical essays on Deleuze's debate with psychoanalysis, ed. De Bolle, Leen. Leuven, Netherlands: Leuven University Press.Google Scholar
Guenther, Lisa. 2006. The gift of the Other: Levinas and the politics of reproduction. Albany: SUNY Press.Google Scholar
Keenan, Dennis King. 2005. The question of sacrifice. Bloomington: Indiana University Press.Google Scholar
Koepnick, Lutz Peter. 1999. Walter Benjamin and the aesthetics of power. Lincoln: University of Nebraska Press.Google Scholar
Kristeva, Julia. 1984. Revolution in poetic language. New York: Columbia University Press.Google Scholar
Kristeva, Julia. 1985. Stabat mater. Poetics Today 6 (1): 133–52.CrossRefGoogle Scholar
Levin, Ira. 1967. Rosemary's baby. New York: Pegasus.Google Scholar
Lorraine, Tamsin. 1999. Irigaray and Deleuze: Experiments in visceral philosophy. Ithaca, N.Y.: Cornell University Press.Google Scholar
Oliver, Kelly. 1993. Reading Kristeva: Unraveling the double‐bind. Bloomington: Indiana University Press.Google Scholar
Philips, John. 2006. “The law of the mother”: Masochism, fetishism and subjectivity in George Bataille's Histoire de l'oeil. In The beast at heaven's gate: Georges Bataille and the art of transgression, ed. Hussey, Andrew. New York: Rodopi.Google Scholar
Pisters, Patricia. 2012. The neuro‐image: Deleuzian film‐philosophy of digital screen culture. Stanford: Stanford University Press.Google Scholar
Ramsay, Raylene L. 1992. Robbe‐Grillet and modernity: Science, sexuality, and subversion. Gainesville: University of Florida Press.Google Scholar
Schaffer, Kay. 1990. Women and the bush: Forces of desire in the Australian cultural tradition. New York: Cambridge University Press.Google Scholar
Sinzelle, Claude. 1989. Skinning the fox: A masochist's delight. In D. H. Lawrence in the modern world, ed. Preston, Peter and Hoare, Peter. New York: Cambridge University Press.Google Scholar
Studlar, Gaylyn. 1988. In the realm of pleasure: Von Sternberg, Dietrich, and the masochistic aesthetic. New York: Columbia University Press.Google Scholar
Thompson, Julie Marie. 2002. Mommy queerest: Contemporary rhetorics of lesbian maternal identity. Amherst: University of Massachusetts Press.Google Scholar
Turetsky, Phil. 2004. Rhythm: Assemblage and event. In Deleuze and music, ed. Buchanan, Ian and Swiboda, Marcel. Edinburgh, UK: Edinburgh University Press.Google Scholar
Voss, Daniela. 2013. Conditions of thought: Deleuze and transcendental ideas. Edinburgh, UK: Edinburgh University Press.CrossRefGoogle Scholar
Wallin, Jason J. 2012. Living … again: The revolutionary cine‐sign of zombie‐life. In Psychoanalyzing cinema: A productive encounter with Lacan, Deleuze, and Žižek, ed. Jagodzinski, Jan. New York: Palgrave MacMillan.Google Scholar
Williams, James. 2011. Gilles Deleuze's philosophy of time: A critical introduction and guide. Edinburgh, UK: Edinburgh University Press.Google Scholar
Žižek, Slavoj. 2005. Interrogating the real. London: Continuum.Google Scholar