Hostname: page-component-848d4c4894-pftt2 Total loading time: 0 Render date: 2024-06-07T17:21:16.817Z Has data issue: false hasContentIssue false

Bridging the Archival-Ethnographic Divide: Gender, Kinship, and Seniority in the Study of Yoruba Masquerade

Published online by Cambridge University Press:  01 August 2016

Abstract:

This study juxtaposes the observations and interpretations of a twenty-first-century ethnographer with those of nineteenth-century Christian missionaries to rethink interpretations of the practice of gender in precolonial West Africa. The article uses the evolving relationship between an ethnographic researcher and a group of contemporary female ancestral masquerade chiefs to reflect on the ways in which generations of missionaries and scholars have interpreted the gendered construction of power. It critiques previous writers for assuming sex and gender in Yoruba culture to be fixed, and argues for a more fluid interpretation of the gendered identities of the observer and subject being observed.

Résumé:

Cette étude juxtapose les observations et interprétations d’un ethno-graphe du XXIe siècle avec celles de missionnaires chrétiens du XIXe siècle afin de repenser les interprétations de la pratique du genre en Afrique de l’Ouest précoloniale. En utilisant l’évolution contemporaine de la relation entre un ethnographe et un groupe de femmes-chefs de masques ancestraux, cet article réfléchit à la façon dont des générations de missionnaires et d’érudits ont interprété la construction sexuée du pouvoir. Ce papier critique ainsi les auteurs précédents qui supposaient que le sexe et le genre etaient figés dans la culture yorouba. Cet article défend une interprétation plus fluide des identités genrées de l’observateur et de l’objet observé.

Type
Critical Historiography
Copyright
Copyright © African Studies Association 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Achebe, Nwando, “Nwando Achebe – Daughter, Wife, and Guest – A Researcher at the Crossroads,” Journal of Women’s History 14–3 (2002), 931.Google Scholar
Adedeji, Joel, “The Alarinjo Theatre: The Study of a Yoruba Theatrical Art from its Earliest Beginnings to the Present Times,” PhD thesis, University of Ibadan (Ibadan, 1969).Google Scholar
Adenaike, Keyes, and Vansina, Jan (eds.), In Pursuit of History: Fieldwork in Africa (Portsmouth NH: Heinemann, 1999).Google Scholar
Agiri, Babatunde A., “Kola in Western Nigeria, 1850–1950, a History of the Cultivation of Cola Nitida in Egba-Owode, Ijebu-Remo, Iwo and Ota Areas,” PhD dissertation, University of Wisconsin (Madison WI, 1972).Google Scholar
Agunwa, Dada, The First Book on Otta: In Memory of King Aina and King Oyelusi Arolagbade (trans. Ajayi, Gbamidele) (Otta, private publication, 1928).Google Scholar
Ajayi, Jacob A., “The Aftermath of the Fall of Old Oyo,” in: Ajayi, Jacob A. (ed.), History of West Africa (New York: Columbia University Press, 1973), 129166.Google Scholar
Akinjogbin, I.A., “The Oyo Empire in the Eighteenth Century: A Re-Assessment,” Journal of the Historical Society of Nigeria 3–2 (1966), 449460.Google Scholar
Awe, Bolanle, “The Iyalode in the Traditional Yoruba Political System,” in: Schlegel, Alice (ed.), Sexual Stratification: A Cross-Cultural View (New York: Columbia University Press, 1977), 144160.Google Scholar
Babatunde, Emmanuel D., “The Gelede Masked Dance and Ketu Society: The Role of the Transvestite Masquerade in Placating Powerful Women While Maintaining the Patrilineal Ideology,” in: Kasfir, Sidney (ed.), West African Masks and Cultural Systems (Tervuren: Musée Royal de l’Afrique Centrale, 1988), 4564.Google Scholar
Babayemi, S.O., Egungun among the Oyo Yoruba (Ibadan: Board Publication Ltd., 1980).Google Scholar
Barber, Karin, I Could Speak until Tomorrow: Oriki, Women and the Past in a Yoruba Town (Washington DC: Smithsonian Institution Press, 1991).Google Scholar
Barnes, Sandra T., “Ritual, Power, and Outside Knowledge,” Journal of Religion in Africa 20–3 (1990), 248268.Google Scholar
Beier, Ulli, “Gelede Masks,” Odu: Journal of Yoruba and Related Studies 6 (1956), 523.Google Scholar
Bolaji, Emmanuel Bamidele, “The Dynamics and the Manifestations of Efe: The Satirical Poetry of the Yoruba Gelede Groups of Nigeria,” PhD thesis, University of Birmingham (Birmingham, 1984).Google Scholar
Butler, Judith, Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 1990).Google Scholar
Clarke, William H., Travels and Explorations in Yorubaland, 1854–1858 (Ibadan: Ibadan University Press, 1972).Google Scholar
Drewal, Henry J., “The Arts of Egungun among Yoruba People,” African Arts 11–3 (1978), 1820.Google Scholar
Geertz, Clifford, The Interpretation of Cultures (New York: Basic Books, 1973).Google Scholar
Drewal, Henry J., and Thompson Drewal, Margaret, Gelede: Art and Female Power among the Yoruba (Bloomington: Indiana University Press, 1983).Google Scholar
Hallen, Barry, The Good, the Bad, and the Beautiful: Discourse About Values in Yoruba Culture (Bloomington: Indiana University Press, 2000).Google Scholar
Ìbítókun, Benedict M., Dance as Ritual Drama and Entertainment in the Gelede of the Kétu-Yorùbá Subgroup in West Africa (Ilé-Ife: Obáfemi Awólowo University Press, 1993).Google Scholar
Johnson, Samuel, History of the Yoruba: From the Earliest Times to the Beginning of the British Protectorate (Lagos: CMS Bookshops, 1921).Google Scholar
Jones, Joni L., “Performing Osun without Bodies: Documenting the Osun Festival in Print,” Text and Performance Quarterly 17 (1997), 6996.Google Scholar
Jones, Joni L., “Performance Ethnography: The Role of Embodiment in Cultural Authenticity,” Theatre Topics 12–1 (2002), 115.Google Scholar
Law, Robin, “‘Legitimate’ Trade and Gender Relations in Yorubaland and Dahomey,” in: Law, Robin (ed.), From Slave Trade to “Legitimate” Commerce: the Commercial Transition in Nineteenth-Century West Africa (Cambridge: Cambridge University Press, 1995), 195214.Google Scholar
Lawal, Babatunde, “New Light on Gelede,” African Arts 11–2 (1978), 6570, 94.Google Scholar
Lawal, Babatunde, The Gelede Spectacle: Art, Gender, and Social Harmony in an African Culture (Seattle: University of Washington Press, 1996).Google Scholar
Madison, D. Soyini, Critical Ethnography: Method, Ethics, and Performance (Thousand Oaks CA: Sage Publications, 2005).Google Scholar
Matory, James L., Sex and the Empire That Is No More: Gender and the Politics of Metaphor in Oyo Yoruba Religion (Minneapolis: University of Minnesota Press, 1994).Google Scholar
Marcus, George E., and Fischer, Michael M.J., Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences (Chicago: University of Chicago Press, 1986).Google Scholar
McKenzie, Peter R., Hail Orisha! A Phenomenology of a West African Religion in the Mid-Nineteenth Century (New York: Brill, 1997).Google Scholar
Moore, Henrietta L., Feminism and Anthropology (Cambridge: Polity Press, 1988).Google Scholar
Morton-Williams, Peter, “The Egungun Society in South-Western Yoruba Kingdoms,” West African Institute of Social and Economic Research, Annual Conference (1954), 90103.Google Scholar
Morton-Williams, Peter, “Yoruba Responses to the Fear of Death,” Africa 30–1 (1960), 3440.CrossRefGoogle Scholar
Noret, Joret, “Between Authenticity and Nostalgia: The Making of a Yoruba Tradition in Southern Benin,” African Arts 41–4 (2008), 2631.Google Scholar
Ogunba, Oyinade, “Ritual Drama of the Ijebu People: A Study of Indigenous Festivals,” PhD thesis, University of Ibadan (Ibadan, 1967).Google Scholar
Olajubu, Oludare, and Ojo, J.R., “Some Aspects of Oyo Yoruba Masquerades,” Africa 47–3 (1977), 253275.Google Scholar
Oyewumi, Oyeronke, The Invention of Women: Making an African Sense of Western Gender Discourses (Minneapolis: University of Minnesota Press, 1997).Google Scholar
Peel, John D.Y., Religious Encounters and the Making of the Yoruba (Bloomington: Indiana University Press, 2000).Google Scholar
Peel, John D.Y., “Gender in Yoruba Religious Change,” Journal of Religion in Africa 32–2 (2002), 136166.CrossRefGoogle Scholar
Pemberton, John, “Egungun Masquerades of the Igbomina Yoruba,” African Arts 11–3 (1978), 4147, 100.Google Scholar
Salako, Ruhollah Ajibola, Ota: Biography of the Foremost Awori Town (Ota: Penink Publicity and Company, 2000).Google Scholar
Schiltz, Marc, “Egungun Masquerades in Iganna,” African Arts 11–3 (1978), 4855, 100.Google Scholar
Scott, Joan, “Gender: A Useful Category of Historical Analysis,” American Historical Review 91–5 (1986), 10531075.Google Scholar
Semley, Lorelle D., Mother is Gold, Father is Glass: Gender and Colonialism in a Yoruba Town (Bloomington: Indiana University Press, 2011).Google Scholar
Shields, Francine, “Palm Oil and Power: Women in an Era of Economic and Social Transition in 19th century Yorubaland (South-western Nigeria),” PhD dissertation, University of Stirling (Stirling, 1997).Google Scholar
Smith, Robert, “The Alaafin in Exile: A Study of the Igboho Period in Oyo History,” Journal of African History 6–1 (1965), 5777.Google Scholar
Thompson Drewal, Margaret, “The State of Research on Performance in Africa,” African Studies Review 34–3 (1991), 164.Google Scholar
Thompson Drewal, Margaret, and Drewal, Henry J., “More Powerful Than Each Other: An Egbado Classification of Egungun,” African Arts 11–3 (1978), 2839, 99.Google Scholar
Verger, Pierre, “Grandeur et Décadence du Culte de Iyami Osoronga: Ma Mère la Sorcière chez les Yoruba,” Journal de la Société des Africanistes 35–1 (1965), 201219.Google Scholar
Willis, John Thabiti, “Negotiating Gender, Power, and Spaces in Masquerade Performances in Nigeria,” Gender, Place, and Culture 21–3 (2014), 322336.Google Scholar