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PROTECTED PUBLICATIONS: THE IMPERIAL AND SAXON PRIVILEGES FOR PRINTED MUSIC, 1550–1700
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- 04 October 2018, pp. 247-313
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SINGING THE HICCUP – ON TEXTING THE HOCKET
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- 27 September 2013, pp. 225-275
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SACRED POLYPHONY ‘NOT UNDERSTANDID’: MEDIEVAL EXEGESIS, RITUAL TRADITION AND HENRY VIII'S REFORMATION
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- 21 July 2010, pp. 33-77
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Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant
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- 05 December 2008, pp. 1-60
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‘FLOWER OF THE LILY’: LATE-MEDIEVAL RELIGIOUS AND HERALDIC SYMBOLISM IN PARIS, BIBLIOTHÈQUE NATIONALE DE FRANCE, MS FRANÇAIS 146
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- 29 August 2014, pp. 1-60
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MUSICAL CRYPTOGRAPHY AND THE EARLY HISTORY OF THE ‘LEÓN ANTIPHONER’
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- 12 September 2017, pp. 105-158
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FOLIO FORMAT AND MUSICAL ORGANISATION IN THE LITURGICAL REPERTOIRE OF THE IVREA AND APT CODICES
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- 16 September 2004, pp. 85-152
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Giulio de' Medici's music books*
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- 05 December 2008, pp. 65-122
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Franco of Cologne on the rhythm of organum purum*
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- 05 December 2008, pp. 1-26
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New light on Oswald von Wolkenstein: central European traditions and Burgundian polyphony*
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- 05 December 2008, pp. 187-226
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‘YONG BEGINNERS, WHO LIVE IN THE COUNTREY’: JOHN PLAYFORD AND THE PRINTED MUSIC MARKET IN SEVENTEENTH-CENTURY ENGLAND
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- 28 September 2016, pp. 95-129
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CARNIVAL AND SACRED DRAMA: SCHÜTZ’S CHRISTMAS HISTORIA AND THE TRANSFORMATION OF CHRISTMAS IN THE SECOND HALF OF THE SEVENTEENTH CENTURY
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- 12 September 2017, pp. 159-191
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Two equal voices: a French song repertory with music for two more works of Oswald von Wolkenstein
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- 05 December 2008, pp. 227-241
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Preface to the study of the Alleluia*
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- 05 December 2008, pp. 213-249
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Scenes from the life of Silvia Gailarti Manni, a seventeenth-century virtuosa*
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- 05 December 2008, pp. 97-146
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Text declamation as a determinant of melodic form in the Old Roman eighth-mode tracts*
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- 05 December 2008, pp. 193-226
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Reading Aron reading Petrucci: the music examples of the Trattato della natura et cognitione di tutti gli tuoni (1525)*
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- 05 December 2008, pp. 121-152
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THE PRODUCTION OF POLYPHONIC MANUSCRIPTS IN THIRTEENTH-CENTURY PARIS: NEW EVIDENCE FOR STANDARDISED PROCEDURES
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- 04 October 2018, pp. 91-139
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EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE
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- 04 September 2002, pp. 75-116
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MATTERS OF TASTE: THE LUTHERAN MARKET FOR SACRED MUSIC IN THE SEVENTEENTH CENTURY
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- 04 September 2020, pp. 149-218
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