1. List of programs sponsored by the Performing Arts Program 1971-1978:

1971–72. Edo Festival Music and Pantomime from Japan, P'ansori featuring Kim S-hee from Korea, and Shantung Traditional Music presented by the Lu Sheng Ensemble from Taiwan.

1972–73. Chinese Skin Shadow Plays from Taiwan; Saeko Ichinohe and Company, a Japanese modern dance group; and Topeng Dance Theater from Bali.

1973–74. Music from Iran; the Awaji Puppet Theater of Japan; and Kathak, North Indian Dance presented by Birju Maharaj and Company.

1974–75. Heen Baba, Dance and Drum Ensemble from Sri Lanka; Chhau, The Masked Dance Theater of Bengal; and Qawwali, Music from Pakistan.

1975–76. The Dancers and Musicians of the Burmese National Theater; The Soloists of the Ensemble Nipponia from Japan; and Sitara: Kathak, North Indian Dance.

1976–77. The Martial Arts of Kabuki from Japan, Yamini Krishnamurti (South Indian dancer), and The Masked Dance-Drama of Korea.

1977–78. Penca (the Art of Self-Defense) and Topeng Babakan (Masked Dance) from Sunda, West Java; Thovil (Ritual Chanting, Dance and Drumming of Exorcism) from Sri Lanka; Qawwali Music from Pakistan.

2. The members of the advisory committee of the Asia Society, 1977: Carlos Moseley, Chairman; William Dorrill, Clifford R. Jones, Benito Ortolani, Genevieve Oswald, A. W. Sadler, Douglas Schwalbe, Teresa Sterne, Donald Sur; ex-officio: Phillips Talbot, President, the Asia Society; Lionel Landry, Executive Vice President, the Asia Society.

3. Kaeppler, Adrienne L. “Polynesian Dance as Airport Art.” In Asian and Pacific Dance: Selected Papers from the 1974 CORD-SEM Conference. Dance Research Annual VIII, edited by Kaeppler, Adrienne L., Van Zile, Judy, Wolz, Carl. New York: CORD, Inc., 1977. pp. 71–84Google Scholar.