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DUNHAM'S DATA: KATHERINE DUNHAM AND DIGITAL METHODS FOR DANCE HISTORICAL INQUIRY by Kate Elswit, Harmony Bench, Antonio Jimenez-Mavillard, Tia-Monique Uzor, and Takiyah Nur Amin https://www.dunhamsdata.org/

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DUNHAM'S DATA: KATHERINE DUNHAM AND DIGITAL METHODS FOR DANCE HISTORICAL INQUIRY by Kate Elswit, Harmony Bench, Antonio Jimenez-Mavillard, Tia-Monique Uzor, and Takiyah Nur Amin https://www.dunhamsdata.org/

Published online by Cambridge University Press:  01 December 2023

Jessica Rajko*
Affiliation:
Wayne State University

Abstract

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Type
Book Review
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press on behalf of the Dance Studies Association

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References

Works Cited

Bench, Harmony, and Elswit, Kate. 2019. “Dance Touring and Embodied Data: Some Approaches to Katherine Dunham's Movement on the Move.” Current Research in Digital History 2 (August). doi: 10.31835/crdh.2019.12.CrossRefGoogle Scholar
Bench, Harmony, and Elswit, Kate. 2020. “Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday.” Theatre Survey 61, no. 3 (2020): 305330. doi:10.1017/S0040557420000253.CrossRefGoogle Scholar
Bench, Harmony, and Elswit, Kate. 2022. “Visceral Data for Dance Histories: Katherine Dunham's People, Places, and Pieces.” TDR 66, no. 1 (2022): 3761. doi:10.1017/S1054204321000708.CrossRefGoogle Scholar
Bench, Harmony, Elswit, Kate, and Jimenez-Mavillard, Antonio. 2022. “Connectivity vs. Canonicity: Data Science and Dance Studies in Historical Dialogue.” Extended abstract for paper presented at Graphs and Networks in the Humanities 2022, online, February 4, 2022.Google Scholar
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Hayes, Lauren, and Rajko, Jessica. 2017. “Towards an Aesthetics of Touch.” Paper presented at the 4th International Conference on Movement and Computing (MOCO ’17), London, U, June 30, 2017.Google Scholar
McPherson, Tara. 2000. “Why Are the Digital Humanities So White? Or Thinking the Histories of Race and Computation.” In Debates in the Digital Humanities, edited by Gold, Matthew K., 139160. Minneapolis: University of Minnesota Press.Google Scholar
Vickers, Paul, Hogg, Bennett, and Worrall, David R.. 2017. “Aesthetics of Sonification: Taking the Subject-Position.” In Body, Sound and Space in Music and Beyond: Multimodal Explorations, edited by Wöllner, Clemens, 89109. Oxfordshire: Routledge.CrossRefGoogle Scholar