Hostname: page-component-77c89778f8-7drxs Total loading time: 0 Render date: 2024-07-17T01:40:50.883Z Has data issue: false hasContentIssue false
  • English
  • Français

Dancing Communities: Performance, Difference, and Connection in the Global City, by Judith Hamera. 2007. Houndmills and New York: Palgrave Macmillan. 238 pp., 8 b/w illustrations, notes, works cited, index. $74.95 cloth.

Published online by Cambridge University Press:  02 April 2012

Shakina Nayfack
Shakina Nayfack
Affiliation:
Department of Dance, University of California, Riverside
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Dance Research Journal , Volume 40 , Issue 2 , Winter 2008 , pp. 94 - 97
Copyright
Copyright © Congress on Research in Dance 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bakhtin, Mikhail. 1981. The Dialogic Imagination, edited by Holquist, M., translated by Liapunov, V.. Austin: University of Texas Press.Google Scholar
Dosik, Wayne D. 1997. Dancing with God: Everyday Steps to Jewish Spiritual Renewal. San Francisco: Harper.Google Scholar
Ness, Sally Ann. 2003. Where Asia Smiles: An Ethnography of Philippine Tourism. Contemporary Ethnography. Philadelphia: University of Pennsylvania Press.Google Scholar
Phelan, Peggy. 1995. “Introduction: The Ends of Performance.” In The Ends of Performance, edited by Phelan, P. and Lane, J.. New York: New York University Press.Google Scholar
Savigliano, Marta. 1995. Tango and the Political Economy of Passion. New York: Westview Press.Google Scholar
Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press.Google Scholar