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Annual International Bibliography of Dance History: The Western Tradition. Works Published in 1978. Part II.

Published online by Cambridge University Press:  22 July 2014

Extract

This second group of works published in 1978 is organized in the same way as Part I (DRJ 12/2, Spring-Summer 1980). There are books and articles in nine categories. The seven indexes guide the reader to time, place, and area of subject matter; to people, dance works, and institutions named in the references; and to authors, editors, translators, etc.

Many people have contributed to the 1978 list and for subsequent years as well. I wish to thank Genevieve Oswald and Dorothy Lourdou of the Dance Collection of the Lincoln Center for the Performing Arts, New York Public Library, for providing catalogue work sheets for all relevant items that are processed into that collection. I am also grateful for substantial assistance from the staffs of the Honnold Library at the Claremont Colleges, Claremont, California; Oviatt Library at California State University, Northridge; and the SIRLS Database at the University of Waterloo in Ontario, Canada; and I appreciate very much the references contributed by Ingrid Brainard, Lynn Matluck Brooks, Selma Jeanne Cohen, Daniel Cole, Nancy de Wilde, Roderyk Lange, Alfred E. Lemmon, Irma Vienola Lindfors, Gita Sellman, Mary Grace Swift, Henning Urup, and Kate Van Winkle Keller. Work on the project has been partially supported by research grants from California State University, Northridge, and University of California, Irvine.

My original idea was not to stay with this project forever, but to get it started and then turn it over to others. The 1979 list is being completed by Lois Benson-Talley (Reference Center, University Library, California State University, Long Beach, CA 90840), and will be finished within the next few months.

Type
Dance History
Copyright
Copyright © Congress on Research in Dance 1984

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References

BIBLIOGRAPHY

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44.deAlaiza, Candi. “Basques and Their Dances,” Folk Dance Scene (Los Angeles) 13(10):710, December 1978;13(11): 10-14, January 1979. Illus. Biblio. Middle Ages to 20th/France-Basque/Spain-BasqueGoogle Scholar
45.Demuth, Norman. French Opera: Its Development to the Revolution. New York: Da Capo, xii, 337 pp. Illus. Biblio. Discography. First published 1963. Middle Ages to 18th/ France/MusicGoogle Scholar
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49.Fahrner, Robert. “The Turbulent First Year of the Royal Circus (1782-1783),” Theatre Survey (Pittsburgh) 19(2):155170, November. 18th/EnglandCrossRefGoogle Scholar
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60.Kovács, Katherine. “A History of the Féerie in France,” Theatre Quarterly (London and Los Angeles) 8(29):2938, Spring. Illus. 18th/19th/FranceGoogle Scholar
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66.Maynard, Olga. “The Tokyo Concourse: A Dance Agon in Japan,” Dance Magazine (New York) 52(7):4854, July. Illus. 20th/Europe/JapanGoogle Scholar
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70.Moffat, Alistair. The Edinburgh Fringe. London: Johnston and Bacon. 128 pp. Illus. 20th/ScotlandGoogle Scholar
71.Moy, James S.Entertainments at John B. Richetts's Circus, 1793-1800,” Educational Theatre Journal 30(2): 186202, May. Illus. 18th/USCrossRefGoogle Scholar
72.Mueller, John.Films: Baroque Dance,” Dance Magazine (New York) 52(11):104, November. Illus. 17th/18th/Europe/FilmGoogle Scholar
73.Oetke, Herbert. “Tänze mit Arbeitsbewegungen: ein Beitrag zur deutschen Volkstanzkunde” (Dances with work movements: A contribution to the study of German folk dance), Daz Tanzarchiv (Köln) Part I. 26(9):379380, September. Part II. 26(10):426, 428, October. Up to 20th/GermanyGoogle Scholar
74.Peter, Rico. Ländlermusik: Die amüsante und spannende Geschichte der Schweizer Ländlermusik (Ländler music: The amusing and fascinating history of the Swiss Landler music). Aarau: AT Verlag. 383 pp. Illus. Biblio. Up to 20th/Switzerland/MusicGoogle Scholar
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76.Rey, Juan José. Danzas Cantadas en el Renacimiento Espahol (Dances with song accompaniment in the Spanish Renaissance). Spain: Sociedad Española de Musicologia. 102 pp. Illus. Biblio. (Available from Real Musical, c/Carlos III, no. 1, Madrid 13, Spain). Renaissance/SpainGoogle Scholar
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80.Sremac, Stjepan. “Smotra Folklora Nekad i Danas” (The folklore festival, past and present). Narodna Umjetnost (Zagreb) 15:97116. Illus. English summary. 20th/YugoslaviaGoogle Scholar
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84.Thompson, James. “A Dance from ‘Love for Love’” [William Congreve's play], Notes and Queries (London) 25(1):34, February. 17th/EnglandGoogle Scholar
85.Todd, Robert. “No Mean Heritage: Dance in Vancouver —Early DaysDance in Canada 1:24. 19th/20th/CanadaGoogle Scholar
86.Navarro, Urbeltz, Antonio, Juan. Dantzak: Notas sobre las danzas tradicionales de los Vascos (The Dances: Notes on the traditional dances of the Basques). [Presentación de/ Luis Iriondo Etxaniz. Introduction: Ninette de Valois. Preface: Lucile Armstrong. Bilbao: Caja laboral popular, Lankide Aurrezkia. 275 pp. Illus. Biblio. Introductory material in Basque and Spanish. Text in Spanish. Up to 20th/Spain-BasqueGoogle Scholar
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88.Voguel, Garance. “Où en est la danse moderne en France? Danser pour vivre, vivre pour danser” (What is the situation of modern dance in France? To dance in order to live, to live in order to dance), Pour la danse (Paris) 46:21, 2425, November. 20th/FranceGoogle Scholar
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99.Cardona, Patricia. “Entrevista a Guillermina Bravo” (Interview with G.B.), Danza II(7):1213 (February). Illus. 20th/MexicoGoogle Scholar
100.Carter, Casimir. “I Could Have Been Lying in the Sun: Arnold Spohr at the Royal Winnipeg Ballet,” Dance in Canada 15:36. 20th/CanadaGoogle Scholar
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102.Clark, VèVè A. and Wilkerson, Margaret B., eds. Kaiso! Berkeley: University of California Press. An anthology of writings—mostly by Katherine Dunham—from 1938 to the present. 20th/USGoogle Scholar
103.Clarke, Mary [written M.C.] “Obituary: Andre Eglevsky,” Dancing Times (London) 68(808):219, January. 20th/Europe/USGoogle Scholar
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106.Dallal, Alberto. “Alwin Nikolais: la creatividad electrónica” (Alwin Nikolais: The electronic creativity), Dialogos (Mexico City) 14:1617, March-April. 20th/USGoogle Scholar
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109.Delarue, Allison, ed. Fanny Elssler in America. Brooklyn, N.Y.: Dance Horizons. 219 pp. 19th/Europe/USGoogle Scholar
110.de Valois, Ninette. Come Dance with Me. London: Dance Rooks Ltd. 20th/EnglandGoogle Scholar
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112. Etienne Decroux Eightieth Rirthday Issue. Mime Journal, Number 7-8. Leabhart, Thomas, ed.; Sally, and Leabhart, Thomas, trans. Allendale, Mich: The Performing Arts Center. 77 pp. Illus. Diagrams. 20th/France/MimeGoogle Scholar
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114.Fracci, Carla. La mia vita sulle punte (My life on point). Milan: Sperling and Kupfer. 125 pp. Illus. 20th/EuropeGoogle Scholar
115.Gow, Gordon. “Nora Kaye as Mrs. Ross,” Dancing Times (London) 68(812):460461, May. Illus. 20th/USGoogle Scholar
116.Guest, Ivor. Adeline Genee: A Pictorial Record by Ivor Guest… in Association with the Theatre Museum Exhibition at the V[ictoria] and A[lbert] Museum. London: Royal Academy of Dancing. 64 pp. Illus. Includes “Adeline Genee: Centenary Exhibition Catalogue.” (12 pp.) by Philip Dyer. 20th/EnglandGoogle Scholar
117Guest, Ivor. “To Genée with Love: The Sketches of Claire Avery,” Dancing Times (London) 68(811):404405, April. Illus. 20th/Europe/USGoogle Scholar
118.Howell, John. “Kenneth King: Dancer/Choreographer,” pp. 12-15; and “Interview: Kenneth King; Dancer Plus…,” pp. 16-24, Performing Arts Journal (New York) 3(2): 1224, Fall. Illus. 20th/USCrossRefGoogle Scholar
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120.Kahn, Albert. Days with Ulanova. New York: Simon and Schuster. 239 pp. Illus. First published 1962. 20th/RussiaGoogle Scholar
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