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Ecologies of Oil and Trauma of the Future in Curse of the Black Gold

Published online by Cambridge University Press:  30 December 2019

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Abstract

Mineral extraction in Africa has exacerbated ecological degradation across the continent. This article focuses on the example of the Niger Delta scene of oil exploration depicted in Michael Watts and Ed Kashi’s multimedia project, Curse of the Black Gold: 50 Years of Oil in the Niger Delta. Analyzing the infringement on human and nonhuman bodies due to fossil fuel extraction, I read the Delta, inscribed in Watts and Kashi’s image-text, as an ecology of suffering and as a site of trauma. Although trauma studies tend to foreground the past and the present, I argue that Curse of the Black Gold invites serious consideration of trauma of the future, of-the-yet-to-come, in apprehending the problematic of suffering in the Delta. I conclude with a discussion of the ethics of representing postcolonial wounding, which on the one hand can create awareness of ecological degradation and generate affect, but which on the other hand, exploits the vulnerability of the depicted and leaves an ecological footprint.

Keywords

oilNiger DeltatraumaphotographyNigeriapoetryecologypollution
Type
Articles
Information
Cambridge Journal of Postcolonial Literary Inquiry , Volume 7 , Issue 1 , January 2020 , pp. 69 - 91
Copyright
© Cambridge University Press, 2019

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