Hostname: page-component-5c6d5d7d68-wtssw Total loading time: 0 Render date: 2024-08-06T22:58:16.467Z Has data issue: false hasContentIssue false
  • English
  • Français

Improvisation: Music for an Occasion

Published online by Cambridge University Press:  18 December 2008

Eddie Prévost
Get access Rights & Permissions [Opens in a new window]

Extract

The case is put for improvisation as the basis for world music, with special reference to flexibility of the blues and the gamelan. An overview of the impact of society on music leads to a general survey of the status of improvisation in pre-industrial Western European culture. Improvisation is contrasted with composition and consideration is given to the problems of providing education in improvisation without destroying its vitality and communicative power.

Type
Research Article
Information
British Journal of Music Education , Volume 2 , Issue 2 , July 1985 , pp. 177 - 186
Copyright
Copyright © Cambridge University Press 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Collier, J. L. (1981) The Making of Jazz. London: Macmillan.Google Scholar
Finkelstein, S. (1964) Jazz: A People's Music. London: The Jazz Book Club.Google Scholar
Fischer, E. (1963) The Necessity of Art. Harmondsworth: Pelican.Google Scholar
Peacham, H. (1622) The Compleat Gentleman.Google Scholar
Plato, . Republic, Book IV.Google Scholar
Prèvost, E. (1982) The aesthetic priority of improvisation. Contact: A Journal of Contemporary Music.Google Scholar
Small, C. (1980) Music: Society: Education. London: John Calder.Google Scholar
Small, C. (1985) ‘No meaning without rules’, Improvisation: History, Directions, Practice, London: Association of Improvising Musicians.Google Scholar
Williams, R. (1979) Culture and Society 1780–1950, Harmondsworth: Penguin.Google Scholar