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Talking ‘Privilege’: barriers to musical attainment in adolescents’ talk of musical role models

Published online by Cambridge University Press:  01 March 2009

Antonia Ivaldi  and
Susan O'Neill
Antonia Ivaldi*
Affiliation:
Royal Northern College of Music, 124 Oxford Road, Manchester M13 9RD, UKAntonia.Ivaldi@rncm.ac.uk
Susan O'Neill
Affiliation:
Don Wright Faculty of Music, University of Western Ontario, London, ON, CanadaN6A 3K7soneil25@uwo.ca
*
Corresponding author: Antonia Ivaldi
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Abstract

Using a discursive approach, this study explores the ways that adolescents construct the notion of social status and ‘being privileged’ through their talk about musician role models. Drawing on social identity theory (see Tajfel, 1978), we examined how adolescents moved between the relational ‘in’ and ‘out’ groups of being privileged versus being disadvantaged as a framework for discussing classical and popular musician role models. Seven focus groups were conducted, each composed of male and female adolescent musicians and non-musicians aged 14–15 years. Participants were asked to discuss 19 pictures of famous classical and popular musicians, commenting on whether they were familiar or unfamiliar figures, and whether they were liked or disliked and the reasons why. Through their talk, the adolescents constructed and negotiated a complex understanding of musical subcultures, whereby high levels of expertise and success were perceived within the notion of privilege. Findings suggest that adolescents' perceptions of privilege may act as a barrier or constraint to their exploration of alternative conceptualisations of musical expertise and success, thereby limiting their own musical aspirations.

Type
Research Article
Information
British Journal of Music Education , Volume 26 , Issue 1 , March 2009 , pp. 43 - 56
Copyright
Copyright © Cambridge University Press 2009

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