9876 results in Twentieth-Century and Contemporary Music
When “Freier Satz” was part of Kontrapunkt: a preliminary report
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- 22 April 1999, pp 12-25
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ANALYTICAL STUDIES
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- 22 April 1999, pp 47-48
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Frontmatter
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On the first movement of Sibelius's Fourth Symphony: a Schenkerian view
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- 22 April 1999, pp 127-159
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Levels of understanding: an introduction to Schenker's Nachlass
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- 22 April 1999, pp 3-11
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ARCHIVAL STUDIES
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- 22 April 1999, pp 1-2
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Schenker Studies 2
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Schenker's unpublished work with the music of Johannes Brahms
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Diachronic transformation in a Schenkerian context: Brahms's Haydn Variations
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- 22 April 1999, pp 239-275
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“Symphonic breadth”: structural style in Mozart's symphonies
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- 22 April 1999, pp 82-108
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Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction
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- 22 April 1999, pp 222-238
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“Structural momentum” and closure in Chopin's Nocturne Op. 9, No. 2
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- 22 April 1999, pp 109-126
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Abbreviated references to Schenker's writings
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- 22 April 1999, pp ix-x
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Sequential expansion and Handelian phrase rhythm
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- 22 April 1999, pp 192-221
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Voice leading as drama in Wozzeck
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- 22 April 1999, pp 160-191
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Structure as foreground: “das Drama des Ursatzes”
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- 22 April 1999, pp 298-314
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Comedy and structure in Haydn's symphonies
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- 22 April 1999, pp 67-81
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Contents
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- 22 April 1999, pp vii-viii
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Bass-line articulations of the Urlinie
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- 22 April 1999, pp 276-297
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C. P. E. Bach and the fine art of transposition
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- 22 April 1999, pp 49-66
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