9876 results in Twentieth-Century and Contemporary Music
Novák as an Axial Figure in Czech Music
- from Czech Music at the Heart of European Music round 1900
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- Czech Music around 1900
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- Boydell & Brewer
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- 21 June 2018
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- 30 November 2017, pp 107-112
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Transformed Sound as Personal Construct
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 345-353
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- December 2017
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Experiencing Responsive Technology in a Mixed Work: Interactive music as embodied and situated activity
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 418-427
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- December 2017
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Sound as Multiplicity: Listening with Thoreau, Cage and Serres
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 362-368
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- December 2017
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Sound and movie examples–issue 22 (3)
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 440-441
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- December 2017
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Ryoki Ikeda and the Prioritising of Space over Time in Musical Discourse
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 378-384
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- December 2017
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Studying Sonorous Objects to Develop Frameworks for Improvisation
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 369-377
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- December 2017
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The Occulture (David Cecchetto, Marc Couroux, Ted Hiebert, Eldritch Priest), Ludic Dreaming. New York: Bloomsbury, 2017. ISBN: 978-1-5013-2079-8 (HB); 978-1-5013-2080-4 (PB); 978-1-5013-2082-8 (ePub).
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 437-438
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- December 2017
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Morphology of the Amorphous: Spatial texture, motion and words
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 336-344
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- December 2017
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Editorial: Which words can we use related to sound and music?
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 311-314
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- December 2017
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Re-orientating Spectromorphology and Space-form through a Hybrid Acoustemology
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 324-335
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- December 2017
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Article commentary
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, p. 439
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- December 2017
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Space–Emotion in Acousmatic Music
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 394-405
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- December 2017
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The Emergence of an Ecstatic-materialist Perspective as a Cross-genre Tendency in Experimental Music
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 428-436
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- December 2017
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A Typo-morphological Approach to Human–Machine Interaction Analysis in Music
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 315-323
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- December 2017
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The Language of Things: An archaeology of musique concrète
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 354-361
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- December 2017
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Physical Intentions: Exploring Michel Waisvisz’s The Hands (Movement 1)
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 406-417
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- December 2017
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OSO volume 22 issue 3 Cover and Back matter
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. b1-b4
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- December 2017
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OSO volume 22 issue 3 Cover and Front matter
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. f1-f2
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- December 2017
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Animating the Object: Marcelle Deschênes and acousmatic education in Quebec
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- Organised Sound / Volume 22 / Issue 3 / December 2017
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- 24 November 2017, pp. 385-393
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- December 2017
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