1152 results in Seventeenth-Century Music
The lost chant tradition of early Christian Jerusalem: some possible melodic survivals in the Byzantine and Latin chant repertories*
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- Early Music History / Volume 11 / October 1992
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- 05 December 2008, pp. 151-190
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- October 1992
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EMH volume 11 Cover and Back matter
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- Early Music History / Volume 11 / October 1992
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- 05 December 2008, pp. b1-b2
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- October 1992
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EMH volume 11 Cover and Front matter
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- Early Music History / Volume 11 / October 1992
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- 05 December 2008, pp. f1-f10
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- October 1992
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The earliest sources of Notker's sequences: St Gallen, Vadiana 317, and Paris, Bibliothèque Nationale lat. 10587*
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. 201-233
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- October 1991
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Machaut's motet 15 and the Roman de la rose: the literary context of Amours qui a le pouoir/Faus Samblant m'a deceü/Vidi Dominum*
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. 1-14
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- October 1991
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Deception, exegesis and sounding number in Machaut's motet 15
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. 15-27
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- October 1991
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Craig Wright, Music and Ceremony at Notre Dame of Paris, 500–1550. Cambridge, Cambridge University Press, 1989, xviii + 400 pp.
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. 305-313
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- October 1991
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EMH volume 10 Cover and Front matter
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. f1-f11
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- October 1991
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On the staging of madrigal comedies
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. 123-143
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- October 1991
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‘Figura poetica molto vaga’: structure and meaning in Rinuccini's Euridice
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. 29-64
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- October 1991
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EMH volume 10 Cover and Back matter
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. b1-b2
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- October 1991
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Parisian nobles, a Scottish princess, and the woman's voice in late medieval song*
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. 145-200
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- October 1991
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Petrus de Domarto's Missa Spiritus almus and the early history of the four-voice mass in the fifteenth century*
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. 235-303
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- October 1991
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Giulio de' Medici's music books*
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- Early Music History / Volume 10 / October 1991
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- 05 December 2008, pp. 65-122
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- October 1991
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List of abbreviations
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- Bach: Mass in B Minor
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- 05 June 2012
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- 24 June 1991, pp x-x
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Preface
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- Handel: Messiah
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- 05 June 2012
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- 24 June 1991, pp vii-viii
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3 - Reception history
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- Bach: Mass in B Minor
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- 24 June 1991, pp 25-41
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1 - The musical genre of the mass Ordinary
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- Bach: Mass in B Minor
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- 24 June 1991, pp 1-6
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References to ‘Messiah’ editions
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- Handel: Messiah
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- 24 June 1991, pp ix-x
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5 - Ritornello forms
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- Bach: Mass in B Minor
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- 24 June 1991, pp 60-69
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