1152 results in Seventeenth-Century Music
Appendix II - Places and institutions
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6 - Music and the sciences
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10 - The Church Triumphant: music in the liturgy
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3 - Music in the market-place
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9 - Mask and illusion: Italian opera after 1637
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Appendix I - Chronology
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11 - Devotion, piety and commemoration: sacred songs and oratorios
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2 - The seventeenth-century musical ‘work’
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1 - Renaissance, Mannerism, Baroque
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Appendix III - Personalia
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EUNUCHI CONJUGIUM: THE MARRIAGE OF A CASTRATO IN EARLY MODERN GERMANY
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- Early Music History / Volume 24 / October 2005
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- 14 July 2005, pp. 53-124
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‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI
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- 14 July 2005, pp. 213-286
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A COURTLY LOVER AND AN EARTHLY KNIGHT TURNED SOLDIERS OF CHRIST IN MACHAUT'S MOTET 5
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- 14 July 2005, pp. 169-211
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RETHINKING THE SIENA CHOIRBOOK: A NEW DATE AND IMPLICATIONS FOR ITS MUSICAL CONTENTS
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- 14 July 2005, pp. 1-52
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THE MUSICAL AUTOGRAPHS OF ADÉMAR DE CHABANNES (989–1034)
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- 14 July 2005, pp. 125-168
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‘NOTES AS A GARLAND’: THE CHRONOLOGY AND NARRATIVE OF BYRD'S GRADUALIA
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- 16 September 2004, pp. 49-84
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ARCHITECTURAL SPACES FOR MUSIC: JACOPO SANSOVINO AND ADRIAN WILLAERT AT ST MARK'S
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- 16 September 2004, pp. 153-184
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SCHEIN'S OCCASIONAL MUSIC AND THE SOCIAL ORDER IN 1620S LEIPZIG
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- 16 September 2004, pp. 253-284
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Tim Carter, Monteverdi's Musical Theatre. Yale University Press: New Haven and London, 2002. x+326 pp.
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- 16 September 2004, pp. 318-324
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