1152 results in Seventeenth-Century Music
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Musical Creativity in Restoration England
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- 10 October 2013
A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THE PEDES-CUM-CAUDA MOTET
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- Early Music History / Volume 32 / 2013
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- 27 September 2013, pp. 179-223
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- 2013
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REFUSAL, THE LOOK OF LOVE, AND THE BEASTLY WOMAN OF MACHAUT'S BALADES 27 AND 38
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- Early Music History / Volume 32 / 2013
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- 27 September 2013, pp. 71-118
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- 2013
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Gretchen Peters, The Musical Sounds of Medieval French Cities: Players, Patrons, and Politics. Cambridge: Cambridge University Press, 2012. x+297 pp. ISBN 978-1-107-01061-1. doi:10.1017/S0261127913000089
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- Early Music History / Volume 32 / 2013
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- 27 September 2013, pp. 317-323
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- 2013
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TWO NEWLY DISCOVERED TENTH-CENTURY ORGANA
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- Early Music History / Volume 32 / 2013
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- 27 September 2013, pp. 277-315
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- 2013
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SINGING THE HICCUP – ON TEXTING THE HOCKET
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- Early Music History / Volume 32 / 2013
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- 27 September 2013, pp. 225-275
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- 2013
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CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT
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- Early Music History / Volume 32 / 2013
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- 27 September 2013, pp. 1-70
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- 2013
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EMH volume 32 Cover and Back matter
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- Early Music History / Volume 32 / 2013
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- 27 September 2013, pp. b1-b3
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- 2013
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THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING
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- Early Music History / Volume 32 / 2013
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- 27 September 2013, pp. 119-177
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- 2013
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EMH volume 32 Cover and Front matter
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- Early Music History / Volume 32 / 2013
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- 27 September 2013, pp. f1-f8
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- 2013
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Part II - Divergent streams of reception in the early nineteenth century
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- Engaging Bach
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- 29 March 2012, pp 87-171
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Series page
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- Engaging Bach
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Musical examples
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- Engaging Bach
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Chapter 4 - AbürgerlicherBach: turn-of-the-century German advocacy
- from Part II - Divergent streams of reception in the early nineteenth century
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Chapter 3 - What Mozart learned from Bach
- from Part I - The posthumous reassessment of selected works
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- 29 March 2012, pp 55-86
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Index
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Contents
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Engaging Bach
- The Keyboard Legacy from Marpurg to Mendelssohn
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Chapter 6 - Bach for whom? Modes of interpretation and performance, 1820–1850
- from Part II - Divergent streams of reception in the early nineteenth century
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- 29 March 2012, pp 143-168
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Engaging Bach - Half title page
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