1152 results in Seventeenth-Century Music
Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet. Cambridge: Cambridge University Press, 2015. xviii + 301 pp. ISBN 978-1-107-03966-7.
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- Early Music History / Volume 35 / October 2016
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- 28 September 2016, pp. 309-323
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- October 2016
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EMH volume 35 issue 1 Cover and Front matter
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- Early Music History / Volume 35 / October 2016
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- 28 September 2016, pp. f1-f7
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PATRIOTIC PURIFICATION: CLEANSING ITALIAN SECULAR VOCAL MUSIC IN THURINGIA, 1575–1600
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- Early Music History / Volume 35 / October 2016
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- 28 September 2016, pp. 203-260
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- October 2016
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CIRCULATING MUSICAL KNOWLEDGE IN EARLY SEVENTEENTH-CENTURY GERMANY: MUSICA POETICA TREATISES OF JOHANN HERMANN SCHEIN AND MICHAEL ALTENBURG IN THE LIBRARY OF JOHANN CASPAR TROST
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- Early Music History / Volume 35 / October 2016
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- 28 September 2016, pp. 131-201
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- October 2016
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THE FEAST OF THE SEVEN SORROWS OF THE VIRGIN: PIETY, POLITICS AND PLAINCHANT AT THE BURGUNDIAN-HABSBURG COURT
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- Early Music History / Volume 35 / October 2016
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- 28 September 2016, pp. 261-307
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- October 2016
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Katherine Butler, Music in Elizabethan Court Politics. Woodbridge: The Boydell Press, 2015. x + 260 pp. ISBN 978-1-84383-981-1.
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- Early Music History / Volume 35 / October 2016
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- 28 September 2016, pp. 328-335
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- October 2016
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Hyun-Ah Kim, The Renaissance Ethics of Music: Singing, Contemplation and Musica Humana. London: Pickering & Chatto, 2015. xii+181 pp. £95.00. ISBN-10: 1848935498; ISBN-13: 978-1848935495.
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- Early Music History / Volume 35 / October 2016
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- 28 September 2016, pp. 323-327
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- October 2016
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THESAURUS LITANIARUM: THE SYMBOLISM AND PRACTICE OF MUSICAL LITANIES IN COUNTER-REFORMATION GERMANY
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- Early Music History / Volume 34 / October 2015
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- 23 September 2015, pp. 45-95
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- October 2015
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CANONISING SAN CARLO: SERMONISING, THE SOUNDING WORD, AND IMAGE CONSTRUCTION IN THE MUSIC FOR CARLO BORROMEO
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- Early Music History / Volume 34 / October 2015
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- 23 September 2015, pp. 133-189
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- October 2015
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MARGUERITE DE VALOIS, REINE DE NAVARRE (1553–1615): PATRONESS AND PERFORMER
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- Early Music History / Volume 34 / October 2015
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- 23 September 2015, pp. 191-206
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- October 2015
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THE CARDINALS’ MUSIC: MUSICAL INTERESTS AT THE PAPAL CURIA C. 1200–1304
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- Early Music History / Volume 34 / October 2015
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- 23 September 2015, pp. 97-132
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- October 2015
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EMH volume 34 issue 1 Cover and Front matter
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- Early Music History / Volume 34 / October 2015
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- 23 September 2015, pp. f1-f7
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- October 2015
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A SOUND DOCTRINE: EARLY MODERN JESUITS AND THE SINGING OF THE CATECHISM
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- Early Music History / Volume 34 / October 2015
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- 23 September 2015, pp. 1-43
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- October 2015
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CHARTING BOETHIUS: MUSIC AND THE DIAGRAMMATIC TREE IN THE CAMBRIDGE UNIVERSITY LIBRARY’S DE INSTITUTIONE ARITHMETICA, MS II.3.12
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- Early Music History / Volume 34 / October 2015
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- 23 September 2015, pp. 207-228
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- October 2015
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EMH volume 34 issue 1 Cover and Back matter
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- Early Music History / Volume 34 / October 2015
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- 23 September 2015, pp. b1-b8
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- October 2015
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Lauren McGuire Jennings, Senza Vestimenta: The Literary Tradition of Trecento Song. Farnham, Surrey and Burlington, Vt.: Ashgate, 2014. xxiii + 288 pp. ISBN 978-1-4724-1888-3
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- Early Music History / Volume 34 / October 2015
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- 23 September 2015, pp. 229-235
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- October 2015
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Epilogue
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- The Lure and Legacy of Music at Versailles
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- 06 November 2014, pp 219-220
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Prologue
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Tables
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- 06 November 2014, pp xi-xii
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1 - The winter of 1660: Louis XIV and the royal court visit Provence
- from Part I - Rendezvous in Provence
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- 05 November 2014
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- 06 November 2014, pp 15-28
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