5745 results in Nineteenth-Century Music
PART II - DRESDEN AND ZURICH, 1842–52
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- Richard Wagner in Paris
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- 18 October 2019, pp 75-76
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Abbreviations
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Frontmatter
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Note on the Text
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Conclusion: Universality at the Crossroads
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- 18 October 2019, pp 169-178
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2 - Translating German Opera: Le Freyschütz
- from PART I - PARIS YEARS, 1839–42
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1 - Through Babel's Arcades: Early Entanglements
- from PART I - PARIS YEARS, 1839–42
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- 18 October 2019, pp 21-50
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Introduction: Wagner Against the Grain
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Paul Watt, The Regulation and Reform of Music Criticism in Nineteenth-Century England, RMA Monographs 31, gen. ed. Simon Keefe (Abingdon: Routledge, 2018). xi + 132 pp. £110.00; $140.00.
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- Nineteenth-Century Music Review / Volume 17 / Issue 3 / December 2020
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- 09 October 2019, pp. 473-476
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Avra Xepapadakou and Alexandros Charkiolakis, eds, Interspersed with Musical Entertainment: Music in Greek Salons of the 19th Century (Athens: Hellenic Music Centre, 2017). xi + 229 pp. 22.00€.
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- Nineteenth-Century Music Review / Volume 17 / Issue 1 / April 2020
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- 07 October 2019, pp. 140-143
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Nancy November, Cultivating String Quartets in Beethoven's Vienna (Woodbridge: Boydell Press, 2017). x + 252 pp. £60.00.
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- Nineteenth-Century Music Review / Volume 17 / Issue 1 / April 2020
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- 30 September 2019, pp. 134-139
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Reassessing Ferdinand Ries in Vienna: Ramifications for Beethoven Biography
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- Nineteenth-Century Music Review / Volume 17 / Issue 2 / August 2020
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- 30 September 2019, pp. 225-244
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Stephen Banfield, Music in the West Country: Social and Cultural History Across an English Region, Music in Britain, 1600–2000 (Suffolk: Boydell Press, 2018). xx + 456 pp. $50.00
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- Nineteenth-Century Music Review / Volume 17 / Issue 2 / August 2020
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- 05 September 2019, pp. 281-286
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Phyllis Weliver, Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism (Cambridge: Cambridge University Press, 2017). xviii + 305 pages. £75.00
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- Nineteenth-Century Music Review / Volume 17 / Issue 1 / April 2020
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- 05 September 2019, pp. 114-119
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André Messager, Les p'tites Michu (operetta or opéra-comique, 1897) - Violette Polchi (Marie-Blanche), Anne-Aurore Cochet (Blanche-Marie), Marie Lenormand (Mme. Michu), Caroline Meng (Mlle. Herpin), Artavazd Sargsyan (Aristide), Philippe Estèphe (Captain Gaston Gigaud), Boris Grappe (General des Ifs), Damien Bigourdan (M. Michu), Romain Dayez (Bagnolet) Orchestre national des Pays de la Loire and Choeur d'Angers Nantes Opéra, Pierre Dumoussaud cond Bru Zane 1054 (2 CDs: 103 minutes, plus a 174-page book in French and English)
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- Nineteenth-Century Music Review / Volume 18 / Issue 2 / August 2021
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- 29 August 2019, pp. 327-334
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Rebecca Cypess and Nancy Sinkoff, eds, Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin (Rochester: University of Rochester Press, 2018), x + 292 pp. $99.00
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- Nineteenth-Century Music Review / Volume 17 / Issue 3 / December 2020
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- 27 August 2019, pp. 477-481
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4 - Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello
- from Part I - Voices
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- Nineteenth-Century Opera and the Scientific Imagination
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- 07 August 2019
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- 22 August 2019, pp 84-106
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Acknowledgements
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- Nineteenth-Century Opera and the Scientific Imagination
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- 07 August 2019
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- 22 August 2019, pp xv-xvi
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Bibliography
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- Nineteenth-Century Opera and the Scientific Imagination
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- 22 August 2019, pp 335-374
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7 - Wagner, Hearing Loss and the Urban Soundscape of Late Nineteenth-Century Germany
- from Part II - Ears
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- Nineteenth-Century Opera and the Scientific Imagination
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- 07 August 2019
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- 22 August 2019, pp 155-172
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