5745 results in Nineteenth-Century Music
NCM volume 12 issue 1 Cover and Back matter
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- Nineteenth-Century Music Review / Volume 12 / Issue 1 / June 2015
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- 17 June 2015, pp. b1-b4
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Esti Sheinberg, ed., Music Semiotics: A Network of Significations (Farnham: Ashgate, 2012). xxii + 344 pp. £75.00
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- Nineteenth-Century Music Review / Volume 12 / Issue 1 / June 2015
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- 17 June 2015, pp. 158-161
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Introduction
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- Nineteenth-Century Music Review / Volume 12 / Issue 1 / June 2015
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The Genesis of the Victorian Organ Sonata
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- Nineteenth-Century Music Review / Volume 12 / Issue 1 / June 2015
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- 17 June 2015, pp. 53-70
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The Maturation of The Secular Organ Recital In America's Gilded Age
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- Nineteenth-Century Music Review / Volume 12 / Issue 1 / June 2015
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- 17 June 2015, pp. 95-117
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Michael Allis, British Music and Literary Context: Artistic Connections in the Long Nineteenth Century (Woodbridge: The Boydell Press, 2012). xii + 320 pp. £60.00
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- Nineteenth-Century Music Review / Volume 12 / Issue 1 / June 2015
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- 17 June 2015, pp. 119-122
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Notes on Contributors
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- Nineteenth-Century Music Review / Volume 12 / Issue 1 / June 2015
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- 17 June 2015, pp. 1-2
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4 - Étude in C Minor (op. 10, no. 12)
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- Harmony in Chopin
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Part II - Masterpieces
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Notes
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5 - Nocturne in C♯ Minor (op. 27, no. 1)
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Part I - Methodological orientation: the mazurkas
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1 - The architecture of a tonic pillar: twenty-seven regular tonic pillars from the mazurkas
- from Part I - Methodological orientation: the mazurkas
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Preface
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6 - Preludes in E Major and E Minor (op. 28, nos. 9 and 4)
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3 - Irregular pillars in the mazurkas: alternatives to the perfect authentic cadence
- from Part I - Methodological orientation: the mazurkas
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2 - Between the tonic pillars: tonal trajectories in twenty-seven mazurkas
- from Part I - Methodological orientation: the mazurkas
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Select bibliography
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Copyright page
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Contents
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