6183 results in Music Performance
Chapter II - Undergraduate Study at Harvard College (1916-20)
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Chapter VI - New York City—Wellesley College—A Guggenheim Fellowship (1927-31)
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Chapter I - Family History and Formative Years
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Chapter XVIII - Recapitulation and Coda
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Chapter XII - The University of Virginia (Fall 1941-Spring 1945)
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Contents
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Chapter X - Curtis Institute of Music: The Hiring Process (Spring and Summer 1939)
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Chapter XIV - Return of a Favored Son: Harvard University (Fall 1948-Spring (1957)
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Acknowledgments
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List of Figures
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1 - Music Criticism and Aesthetics During the Interwar Period: Fewer Crimes and More Punishments
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781787442573/resource/name/9781787442573i.jpg)
Music Criticism in France, 1918–1939
- Authority, Advocacy, Legacy
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3 - Charles Koechlin: The Figure of the Expert
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6 - Arthur Honegger: Music Critic for Musique et Théâtre (1925–1926)
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Index
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4 - Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935)
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12 - Creating a Canon: émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity
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5 - Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France
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List of Tables
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10 - The Legacy of War: Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919–1920
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