6365 results in Music Criticism
12 - The Coverage of Gershwin in Music History Texts
- from Part III - Influence and Reception
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- The Cambridge Companion to Gershwin
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- 02 August 2019
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- 22 August 2019, pp 221-234
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6 - Broadway in Blue: Gershwin’s Musical Theater Scores and Songs
- from Part II - Profiles of the Music
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- 02 August 2019
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Part III - Influence and Reception
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- The Cambridge Companion to Gershwin
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- 02 August 2019
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- 22 August 2019, pp 219-297
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4 - Gershwin in Hollywood
- from Part I - Historical Context
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10 - Complexities in Gershwin’s Porgy and Bess: Historical and Performing Contexts
- from Part II - Profiles of the Music
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9 - Exploring New Worlds: An American in Paris, Cuban Overture, and Porgy and Bess
- from Part II - Profiles of the Music
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Music Examples
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- The Cambridge Companion to Gershwin
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- 02 August 2019
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11 - Writing for the Big Screen: Shall We Dance and A Damsel in Distress
- from Part II - Profiles of the Music
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Preface
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Index
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Contents
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Contributors
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Epilogue: The Gershwin I Knew, and the Gershwin I Know
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5 - Blue Monday and New York Theatrical Aesthetics
- from Part II - Profiles of the Music
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Part II - Profiles of the Music
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13 - When Ella Fitzgerald Sang Gershwin
- from Part III - Influence and Reception
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- 22 August 2019, pp 235-245
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Tables
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![](https://assets.cambridge.org/97811087/30549/cover/9781108730549.jpg)
The Cambridge History of Music Criticism
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- 21 August 2019
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- 29 August 2019
5 - Mahler's Idiom in Copland's “American” Sound
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- Aaron Copland and the American Legacy of Gustav Mahler
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- 18 September 2019
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Dedication
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- Aaron Copland and the American Legacy of Gustav Mahler
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- 18 September 2019
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