6365 results in Music Criticism
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- Playing with History
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- 02 December 2009
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- 30 May 2002, pp xvi-xvi
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6 - Subjectivity and perception in Death in Venice
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- Britten's Musical Language
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- 22 September 2009
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- 10 January 2002, pp 245-296
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Britten's Musical Language
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- 22 September 2009
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- 10 January 2002
2 - Peter Grimes: the force of operatic utterance
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- Britten's Musical Language
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- 22 September 2009
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Frontmatter
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- Britten's Musical Language
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- 22 September 2009
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4 - The Turn of the Screw: innocent performance
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- Britten's Musical Language
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- 22 September 2009
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1 - Introduction: Britten's musical language
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- Britten's Musical Language
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5 - Rituals: the War Requiem and Curlew River
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- Britten's Musical Language
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- 22 September 2009
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Index
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- Britten's Musical Language
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Acknowledgments
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- Britten's Musical Language
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- 22 September 2009
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Contents
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- Britten's Musical Language
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Bibliography
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- Britten's Musical Language
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- 22 September 2009
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- 10 January 2002, pp 337-351
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3 - Motive and narrative in Billy Budd
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- Britten's Musical Language
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Notes
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- Britten's Musical Language
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Notes
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- The Music and Thought of Michael Tippett
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- 13 October 2009
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- 25 October 2001, pp 270-314
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Frontmatter
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- The Music and Thought of Michael Tippett
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- 13 October 2009
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5 - ‘Shall we …? Affirm!’ The ironic and the sublime in The Mask of Time
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- The Music and Thought of Michael Tippett
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- 13 October 2009
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- 25 October 2001, pp 147-205
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2 - The significance of the concept ‘image’ in Tippett's musical thought: a perspective from Jung
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- The Music and Thought of Michael Tippett
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- 13 October 2009
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- 25 October 2001, pp 13-35
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Bibliography
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- The Music and Thought of Michael Tippett
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- 25 October 2001, pp 315-327
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Acknowledgements
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- The Music and Thought of Michael Tippett
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- 13 October 2009
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- 25 October 2001, pp x-xi
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