6365 results in Music Criticism
10 - Ernst Oster's Vision of Hidden Repetitions and Motivic Enlargements in J. S. Bach's Short Keyboard Works
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Contents
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List of Contributors
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6 - The First Movement of Brahms's Fourth Symphony Revisited: A Study of the Fanfare and the “Cloud of Mystery”
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8 - Chopin's Study in Syncopation
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Part Two - Focus on Motive
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13 - Indistinct Formal Functions and Conflicting Temporal Processes in the Second Movement of Brahms's Third Symphony
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14 - The Interaction of Structure and Design in the Opening Movements of Schubert's Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929)
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Part One - Structure and Design
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Introduction
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781580468770/resource/name/9781580468770i.jpg)
Bach to Brahms
- Essays on Musical Design and Structure
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3 - Outer Form, Inner Form, and Other Musical Narratives in Beethoven's Opus 14, No. 2
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12 - Formal Fusion and Its Effect on Voice-Leading Structure: The First Movement of Beethoven's Opus 132 Revisited
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15 - The Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A Schenkerian Hearing
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Dedication
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Index
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2 - Ritornelli or Soli: Which Did Mozart Write First in the Opening Movement of His Violin Concerto K. 207?
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4 - Temporal Poise and Oblique Dynamic in the First Movement of Beethoven's “Archduke” Trio
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Frontmatter
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9 - A Sharp Practice, A Natural Alternative: The Transition into the Recapitulation in the First Movement of Beethoven's “Hammerklavier” Sonata
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