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Contents
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The Films of Paul Morrissey
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III - Symbolic representation and symbolic violence: Chinese family melodrama of the early 1980s
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Acknowledgments
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Bibliography
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2 - The Flesh Trilogy
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Frontmatter
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XIII - Power, pleasure, and desire: The female body in Filipino melodrama
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XIV - The register of nightmare: Melodrama as it (dis)appears in Australian film
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XII - Politics of melodrama in Indonesian cinema
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Acknowledgments
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VII - Inscribing the subject: The melodramatization of gender in An Actor's Revenge
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II - Melodrama / subjectivity / ideology: Western melodrama theories and their relevance to recent Chinese cinema
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Filmography
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1 - The Life and Work
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IV - The Goddess: Reflections on melodrama East and West
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IX - Psyches, ideologies, and melodrama: The United States and Japan
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Notes
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X - Negotiating the transition to capitalism: The case of Andaz
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Index
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